Just as things seem to be tightening everywhere in the world, the Emmys are doing one noteworthy bit of splurging. With the Academy of Television Arts & Sciences expanding to six the number of Emmy nominees in 10 top categories—comedy and drama series, and the acting fields for male and female regulars—there's new hope for programs and performers left out in previous years.
Although the change arose out of a streamlining of the voting process—and, in axing the blue-ribbon gatekeeper panels for the affected categories, a re-strengthening of the majority will—the extra nomination slots also acknowledge how many shows are out there now.
“You have a very significant roster of eligibility in drama and comedy,” says John Leverence, the academy's senior VP of awards. “It's made [the Emmys] a bit roomier, more accommodating to the realities of what's going on in television production these days.”
But will it be good news finally for the Friday Night Lights folks, such as perennially praised-yet-ignored female lead Connie Britton? Could a critically acclaimed but marginalized entry like Battlestar Galactica see awards glory—or at least a shot at some — for its final season?
One possible consequence, of course, is further entrenchment for already Emmy-recognized shows, like last year's drama winner Mad Men. “I'm expecting to see a few more berths for awards favorites,” says Maureen Ryan, television critic for the Chicago Tribune, who cites the lack of female nominees from AMC's flagship series last year as due for correction.
She's less optimistic about Battlestar snagging a drama slot or a nod for stars Edward James Olmos and Mary McDonnell. “The Emmy voting body has a mental block with that show,” she says.
It could still prove hard for series that have gone a few years without Emmy nominations to join the party. TV critic Alan Sepinwall of New Jersey's Star-Ledger says someone like Kyle Chandler of Friday Night Lights just isn't household-name-friendly enough in an Emmy voting pattern that rewards big, familiar faces on hit shows. “I wouldn't be stunned to see Simon Baker get a nomination [for The Mentalist],” Sepinwall says, “because people are glad something was a hit, and he's clearly the reason people are watching the show.”
That thinking bodes well for CBS' sitcom The Big Bang Theory, which has seen its ratings improve and the buzz surrounding co-lead Jim Parsons accelerate. “He's rightly getting a lot of praise and Emmy talk,” Ryan says. “And it's probably time for a couple of its actors, like Simon Helberg, to break into that monopoly in the supporting comedy actor pack.”
Meanwhile, there's a chance for HBO's surrealist deadpan comedy/musical series Flight of the Conchords to join veterans such as 30 Rock, Entourage, Two and a Half Men and The Office. “The first season, you would hear people in the business say they liked [Conchords],” Sepinwall says. “So maybe there becomes enough of a groundswell that it could sneak in for a sixth nomination.”
Lead actress in a comedy offers the possibility of either a return to glory for a Desperate Housewife like Emmy favorite Felicity Huffman or a new face like Toni Collette of Showtime's United States of Tara. “Whether [Tara] clicked with Emmy voters, I don't know,” Ryan says. “But she was amazing on that show, and she's such a respected actress I could see her getting a nomination.”
Ultimately, Sepinwall says people will be rolling their eyes come nomination day because the extra slots will go to popular, traditional shows and people with name recognition. “I generally have a lack of faith in Emmy voters,” he says, adding, “I believe Boston Legal is still eligible. They did 13 episodes.”
The television industry's top news stories, analysis and blogs of the day.
Thank you for signing up to Next TV. You will receive a verification email shortly.
There was a problem. Please refresh the page and try again.