The Campaign for Free Speech is exercising that right with two Times Square billboards highlighting what it says are recent attacks on free speech. 

That comes in the wake of a study the campaign released that found that "51 percent of American millennials believe that the First Amendment should be rewritten, while 54 percent think that jail time would be the best response to 'hate speech.'”  

The Campaign says political polarization is one reason for the attacks on speech, but says free speech should not be a partisan issue. 

The billboards are located at 42nd Street and 7th Avenue. One reads “FREE SPEECH IS UNDER ATTACK,” the other a rotating billboard showing some results from the poll, including that a quarter of the respondents said members of the media should be jailed for publishing "inflammatory" or false content, and over a third who said that there should be a government agency reviewing podcasts. 

That study was of 1,004 adults polled Sept. 3-5.

The 2016-17 TV and movie awards season has hit high gear with the presentation of Critics’ Choice Awards winners as well as nominations for Golden Globe Awards, NAACP Image Awards and Screen Actors Guild Awards. While TV viewers and critics will undoubtedly cheer shows recognized by the major awards groups — and lament over their favorite shows that did not make the awards cut — The Wire saw three trends coming out of the awards blitz that could affect the television industry heading into the new year.

More love for diverse casting: A number of new scripted series with predominately multicultural casts won Critics’ Choice Awards in major categories or earned multiple Golden Globe, NAACP Image or SAG Award nominations. Established and more mainstream series like Empire and Black-ish continued to remain popular with awards judges, garnering numerous nominations. The most prominent and eye-opening nods, though, were for more niche shows like FX’s hip hop-flavored series Atlanta, as creator and star Donald Glover won a Critics’ Choice Award for best actor in a comedy series and Golden Globe nomination in the same category, and HBO’s comedy series Insecure, which nabbed eight NAACP Image Award nominations and a Golden Globe best comedy actress nod for Issa Rae, star of the freshman comedy series. Also, Golden Globe, SAG and NAACP award nominations for Thandie Newton’s performance as a newly sentient android in HBO’s Westworld, and multiple nods for FX limited series The People v. O.J. Simpson and actors including Courtney B. Vance and Sterling K. Brown (also nominated for an NAACP Image Award for NBC’s This Is Us) demonstrate that, when given a chance, actors of color can turn in award-defining performances.

Newbie series bring buzz: During every awards season there seems to be a new series that captures the zeitgeist of the viewer and the eye of judges. This season, several new shows have gained major award recognition. Half of the Critics’ Choice Awards winners in the major drama categories were from freshman series Westworld (HBO) and The Crown (Netflix). Four out of the five Golden Globes-nominated series in the drama category are from first-year shows (The Crown, Westworld, This Is Us and Netflix’s Stranger Things). Four of the five SAG Awards nominations for “outstanding performance by a female actor in a drama series” were from new series, including two from binge-viewing favorite Stranger Things. With 400-plus scripted series for U.S. audiences to choose from, new shows are cutting through the clutter to build both audiences and critical acclaim.

Cable, streaming services dominate TV drama: Anyone who doubted whether the best and most critically acclaimed shows on television today are on cable networks and streaming services only has to look at recent award-winning and nominated shows in the major drama categories. Broadcast network shows were virtually shut out of Critics’ Choice Awards wins in all six drama categories and four of six comedy categories. On the nominations front, This Is Us is the lone broadcast entry in 15 Golden Globes drama category nominations and PBS’s recently ended Downton Abbey staved off a complete SAG Awards nominations sweep for cable and streaming services in major drama series categories. Shows from Netflix (The Crown, Stranger Things), HBO (Westworld, Game of Thrones), USA Network (Mr. Robot), AMC (Better Call Saul), FX (The Americans) and Starz (Outlander) have set the standard for quality among drama series that the broadcast networks will have to live up to if they are to be recognized during future awards seasons.

Reindeer Rundown: NORAD Set for Holiday

To ensure that cable operators and other media outlets can help prevent highflying grandmas from getting run over by flying reindeer and keep up with the lively and quick doings of the little man with the sack, NORAD, the joint U.S.-Canada aerospace warning and control operation, is inviting them to participate in this year’s Santa Claus tracking operation “in a variety of ways.”

NORAD, which annually charts Santa’s Christmas Eve/Christmas Day flights over North American airspace, is allowing media outlets to embed its “track Santa” logo, countdown clock and live tracking map on their websites.

Those outlets will also be authorized to tap into the Defense Video & Imagery Distribution System (DVIDS) system for live satellite interviews (6 a.m. to 4 p.m. on Dec. 24) with senior NORAD command leaders (email requests to NORADTracksSanta@dvidshub.net). Various flight crews will escort the flight, per usual.

Starting at 2:01 a.m., the website will stream video of Santa preparing the flight and then from several locations en route. Those with OnStar can also press the button in their cars to locate Santa in his sleigh. No word on whether car-to-sleigh communications are mandated under the Department of Transportation’s new V2V “light duty” vehicles proposal issued last week, though Santa’s sleigh probably qualifies as heavy duty.

NORAD has tracked Santa since 1955. Before that, it was mostly word-of-mouth between siblings talking excitedly, snug in their beds, while they were supposed to be asleep.

— John Eggerton

Ball-Watcher Update: Times Square Hosts Set

Updating our item on the New Year’s Day festivities in Times Square, the talent, or at least most of it, has been named for the free, anchored, coverage of the ball drop that the Times Square Alliance and Countdown Entertainment are making available to media outlets.

Singers Gavin DeGraw (“She Sets the City on Fire”) and Rachel Platten (“Fight Song” and “Stand By You”) will be co-headlining the live, commercial- free feeds and the webcast. Platten also gets the honors of carrying on the tradition of performing John Lennon’s “Imagine.”

Univision will provide “three star musical performances,” but they have yet to be named.

Returning as host of the Web coverage will be Spotify’s “global head of rock” Allison Hagendorf, joined by Jonathan Bennett (Mean Girls, Cake Wars).

— John Eggerton

“So this is Christmas/And what have you done …”

AMC’s answer to that question, posed in “Happy Xmas (War is Over)” by John Lennon and Yoko Ono, is an all-star concert honoring the late Beatle, who would have turned 75 this past Oct. 9.

The show, produced with Blackbird Presents and emceed by Kevin Bacon, took place Saturday, Dec. 5, at the Theater at Madison Square Garden in New York. A two-and-a-half-hour version airs Saturday, Dec. 19, as Imagine: John Lennon 75th Birthday Concert at 9 p.m. (ET/PT) on AMC.

The Wire assumed AMC’s corporate ties to MSG played a role, but programming executive Joel Stillerman said Blackbird’s Keith Wortman brought the idea to AMC, booked the building and got the performers (including Steven Tyler, Sheryl Crow, Willie Nelson and The Roots) without any such help.

AMC, though, had put out the word earlier this year that it was on the lookout for nonfiction programming “against a filter of things that feel event-like,” either in the form of documentary series like The Making of the Mob or live happenings like concerts.

“We thought [Lennon] was the right artist to do this with, and it was the right time,” Stillerman, president of original programming and development for AMC and SundanceTV, told The Wire a few days after the show.

While under discussion for several months, the concert event was fairly recently greenlit, Stillerman said. The theater, though, was filled that festive Saturday night with Lennon fans who bought tickets and others, including The Wire, invited as guests.

The house band, led by Don Was and Greg Phillinganes, was tight and the performances felt spontaneous — sometimes very much so. Only one song had to be done twice, to fi x a lighting issue during Spoon’s lively “Hey Bulldog.”

Stillerman, who worked on many live shows at MTV and as an independent producer before joining AMC, said the whole thing was remarkably drama-free. “Everybody just felt like they seriously wanted to be there for one reason, which was to honor a guy that they loved and who was hugely influential on them.”

“Happy Xmas” is definitely on the menu — performed by Aloe Blacc, Sheryl Crow and Peter Frampton — and Stillerman thought it was a highlight of the show. The Wire also enjoyed Willie Nelson’s “Imagine,” Blacc’s “Watching the Wheels” and the Brandon Flowers (of The Killers) version of “Instant Karma,” among others.

“We’re happy we did this,” Stillerman said, asked if viewers should expect more concerts from the home of The Walking Dead. “We love sort of defying expectations at AMC and trying things that are a little out of our comfort zone. I really think we got very fortunate with a night that felt like it had the right spirit, that had some great moments, that had some great emerging artists step up and blow people away in a very unexpected way. If there’s an opportunity to try and replicate that, we will, but no plans right now.”

— Kent Gibbons

Keeping Eyes On the Ball

Old acquaintances may be forgot, but media outlets with bigger plans than budgets should not forget that there is a free feed — hosts included — of the New Year’s Eve festivities in New York’s Times Square.

The Times Square Alliance is again teaming with Countdown Entertainment to provide a “clean” uninterrupted, HD satellite/fiber feed for domestic and international television outlets, broadcasters, cable networks and websites.

The feed will be hosted by Allison Hagendorf and three correspondents will cover the action, from the ball-raising ceremony to stage performances to the dropping of the ball at midnight.

Why is it free? “This is a public-private partnership … No one pays a ticket to come into Times Square, and we want to make it available to the broadcasters covering the event for free, too,” Countdown Entertainment president Jeff Straus told The Wire. That extends to cable operators and webmasters as well.

— John Eggerton