Adam Levine and Kelsea Ballerini will be coaches on season 27 of The Voice on NBC. The pair joins returning coaches Michael Bublé and John Legend. 

The season begins in spring 2025. 

Levine, frontman for pop-rock band Maroon 5, was a coach on The Voice when it launched, and lasted for 16 seasons. When the show launched in 2011, Levine, CeeLo Green, Christina Aguilera and Blake Shelton were the coaches. 

Ballerini, a country singer, was on The Voice as a battle adviser in season 16 and filled in as a Team Kelly coach in season 20. Her album “Subject to Change” was released in 2022.

Season 26, on this fall, will have Bublé, Snoop Dogg, Reba McEntire and Gwen Stefani as coaches. 

The show is a presentation of MGM Television, Warner Bros. Unscripted Television in association with Warner Horizon and ITV Studios The Voice USA, Inc. The series was created by John de Mol, who executive produces with Mark Burnett, Audrey Morrissey, Amanda Zucker, Kyra Thompson, Adam H. Sher and Barry Poznick.

Wynonna Judd will be “Mega Mentor” on the current season of The Voice on NBC. A member of the Country Music Hall of Fame, she joins coaches Niall Horan, John Legend, Reba McEntire and Gwen Stefani to mentor the remaining artists who have made it through the Battle Rounds as each team prepares for the three-way knockouts, which begin November 6.

Season 24 began last month. 

Judd made her name in country music in the Judds, which included her and mother Naomi. Wynonna Judd released her self-titled debut album in 1992. 

Reba McEntire was a Mega Mentor in season 23. Other Mega Mentors on The Voice have included Ed Sheeran and Snoop Dogg. 

The Voice is on Mondays from 8-10 p.m. ET and Tuesdays from 9-10 p.m. ET and is on Peacock the following day.  

NBC calls it the network’s most-watched show with 8.6 million viewers per episode across all platforms (7-day viewing).

The Voice comes from MGM Television, Warner Bros. Unscripted Television in association with Warner Horizon, and ITV Studios The Voice USA, Inc. The series was created by John de Mol, who is an executive producer along with Mark Burnett, Audrey Morrissey, Amanda Zucker, Kyra Thompson and Adam H. Sher.

Carson Daly hosts. 

NBC outlined its midseason plans, which includes comedy Night Court premiering January 17 and Magnum P.I. starting its NBC run February 19.

Mondays in the midseason, it’s America’s Got Talent: All-Stars and The Voice. AGT begins January 2 and The Voice premieres March 6. Chance the Rapper and Niall Horan are Voice coaches along with Kelly Clarkson and Blake Shelton.

On Tuesdays, Night Court begins January 17. Melissa Rauch plays the late Harry Stone's daughter and takes the gavel, sparring with new public defender John Larroquette.

The original Night Court went for nine seasons on NBC in the ‘80s and early ‘90s.

New Amsterdam ends January 17 with a two-hour finale. The show has gone for five seasons.

American Auto starts season two Tuesday, January 24, and That’s My Jam kicks off season two March 7.

Wednesdays have the Chicago shows -- Chicago Med, Chicago Fire and Chicago P.D. Thursday is Law & Order night, with the flagship, SVU and Organized Crime.

Magnum P.I. makes its NBC debut February 19, with Jay Hernandez in the lead role. NBC calls Magnum “a modern take on the classic series centering on Thomas Magnum, a decorated former Navy SEAL who, upon returning home from Afghanistan, repurposes his military skills to become a private investigator.”

Magnum had four seasons on CBS, years after it had eight seasons back in the ‘80s.

Greg Berlanti drama Found begins February 19 too. Shanola Hampton stars as a public relations specialist looking out for the forgotten missing people around the world, while keeping a chilling secret from those who know her.

The Blacklist season 10 premieres February 26.

“Following another winning fall, we’re looking forward to a great January and beyond with a strong schedule that delivers on the return of many favorites coupled with fantastic new premieres,” said Frances Berwick, chairman, Entertainment Networks, NBCUniversal Television and Streaming. “We continue to program with an eye toward a year-round schedule, constantly providing our audiences with new reasons to tune in and engage either live on NBC or stream next day on Peacock.”

There’s no premiere date yet for Grand Crew, The Wheel and L.A. Fire and Rescue.

“We can’t wait to share these terrific new series with our audience,” said Susan Rovner, chairman, Entertainment Content, NBCUniversal Television and Streaming. “Found, from Greg Berlanti and Nkechi Okoro Carroll, is a stellar addition to our drama lineup while Magnum, P.I. comes to us with a passionate fan base already in place that we intend to nourish. On the comedy side, having John Larroquette and Melissa Rauch co-star in an updated Night Court is a dream come true, and our critically acclaimed comedy American Auto is back with its hilarious and ironic look at corporate America. Add AGT: All-Stars to that mix and it’s a great start to the new year.” ■

B+C has partnered with always-on TV ad measurement and attribution company iSpot.tv to bring you a weekly chart we call Promo Mojo: exclusive data showing TV’s most-promoted programming ranked by ad impressions. Our data covers the seven-day period through Sept. 18.

NBC takes first place for Quantum Leap, a revival of the 1989-1993 sci-fi drama that also aired on NBC. The network grabs fourth place as well to hype the 22nd season of The Voice.

The previous week’s chart-topper, Fox's Monarch -- a new musical drama series starring Susan Sarandon and Trace Adkins -- slips to second place. Fox also grabs third place (for the second week in a row) to promote the second season of crime drama The Cleaning Lady.

Closing out the chart: ABC, which gives some love to the second season of Abbott Elementary in fifth place -- giving traditional broadcast networks a clean sweep of our top five.

Notably, The Voice scores the week’s highest iSpot Attention Index (120), meaning viewers were on average highly likely to watch its promos all the way through (vs. interrupting viewing by changing the channel, pulling up the guide, fast-forwarding or turning off the TV).

1) Quantum Leap, NBC

Impressions: 785,483,080

Interruption Rate: 1.26%

Attention Index: 106 (6% fewer interruptions than avg.)

Imp. Types: National 97%, Local 2%, VOD/OTT 1%

In-network Value: $5,172,270

Out-of-network Est. Spend: $3,192,261

2) Monarch, Fox

Impressions: 440,548,291

Interruption Rate: 1.55%

Attention Index: 97 (3% more interruptions than avg.)

Imp. Types: National 94%, Local 4%, VOD/OTT 2%

In-network Value: $2,151,644

Out-of-network Est. Spend: $3,352,964

3) The Cleaning Lady, Fox

Impressions: 334,712,755

Interruption Rate: 1.23%

Attention Index: 101 (1% fewer interruptions than avg.)

Imp. Types: National 94%, Local 4%, VOD/OTT 2%

In-network Value: $1,880,615

Out-of-network Est. Spend: $1,609,477

4) The Voice, NBC

Impressions: 313,438,162

Interruption Rate: 1.20%

Attention Index: 120 (20% fewer interruptions than avg.)

Imp. Types: National 97%, Local 2%, VOD/OTT 1%

In-network Value: $3,232,119

Out-of-network Est. Spend: $745,015

5) Abbott Elementary, ABC

Impressions: 223,309,163

Interruption Rate: 1.15%

Attention Index: 114 (14% fewer interruptions than avg.)

Imp. Types: National 92%, Local 6%, VOD/OTT 2%

In-network Value: $2,271,529

Out-of-network Est. Spend: $306,979

* Data provided by iSpot.tv, TV Ad Measurement for Disruptive Brands *

For more information about Promo Mojo — including the chart positions of promos beyond the top five — contact mediapartnerships@ispot.tv.

Impressions: The total impressions within all U.S. households including National Linear (Live & Time-shifted), VOD plus OTT, and Local.

Attention Score: Measures the propensity of consumers to interrupt an ad play on TV. The higher the score, the more complete views. Actions that interrupt an ad play include changing the channel, pulling up the guide, fast-forwarding or turning off the TV.

Attention Index: Represents the Attention of a specific creative or program placement vs. the average in its respective industry. The average is represented by a score of 100, and the total index range is from 0 through 200. For example, an attention index of 125 means that there are 25% fewer interrupted ad plays compared to the average.

Impression Types: Impression types tracked include National (Live + Time-shifted), Local, VOD & OTT. See below for further details.

In-Network Value: Estimated media value of in-network promos.

Out-of-Network Spend: The estimated amount spent on TV airing time for this promo's spots during a given date range.

National: Live: A national promo which was viewed during live linear television broadcast or same day, via DVR or on-demand.

Local: A promo that was aired during a local ad break slot.

VOD: This includes promos that run in on-demand content past three days (i.e. do not contain the linear promo load).

OTT: On-demand streaming content (i.e. Hulu, Roku, Fire TV Stick, Chromecast). ■

Below is a snapshot of TV by the numbers for the week of Oct. 4-10, shining a spotlight on the most-watched shows and networks using glass-level data from Vizio’s Inscape, and top shows and networks by TV ad impressions with insights via iSpot.tv.

Most-Watched Shows and Networks

Via Inscape, Vizio’s TV data product with glass-level insights from a panel of more than 17 million active and opted-in smart TVs. Data is linear, live TV only and includes all episode types (new and reruns). Rankings are by percent share duration (i.e., time spent watching).

Even without Tom Brady returning to New England in primetime, the NFL still cleans up with TV’s top watch-time. The league’s games score 6.48% of minutes watched for the week of Oct. 4-10. 

Some additional insights about the top programming on TV:

• The college football minutes-watched tally climbs again, increasing from 3.76% to 3.82% week-over-week thanks to a big weekend of competitive matchups.
• Major League Baseball’s playoffs mean fewer games, but a bigger audience given the stakes as MLB’s watch-time ranking jumps from No. 6 to No. 3 overall.
• Chrisley Knows Best rides an E! marathon to 0.37% of minutes watched from Oct. 4-10 (No. 20 overall, after not appearing among the top 50 the previous week).
• Episode six of The Voice drives an increase from No. 19 to No. 14 by minutes watched, with 0.43%.
• Chicago P.D. remains one of the 10 most-watched programs on TV, increasing minutes watched week-over-week from 0.61% to 0.65%.

Also Read: Fall 2021 TV Premiere Dates

NBC stays on top for the week once again, with 7.68% of minutes watched due in part to Sunday Night Football and The Voice.

More insights around the most-watched networks from Oct. 4-10:

• Broadcast networks stay atop the list by minutes watched, with Fox (7.65%), CBS (7.64%) and ABC (6.78%) all finishing just behind NBC for the week.
• TBS leaps from No. 20 to No. 7 by week-over-week watch-time due to MLB playoff games, while Fox Sports 1 rides playoff baseball from No. 50 to No. 24.
• Univision gets a boost by way of FIFA World Cup qualifying (from No. 16 to No. 13 by minutes watched).
• TNT’s DC Universe movie marathon contributes to an increase from No. 26 to No. 20 by watch-time, with 0.99% from Oct. 4-10.

Top Shows and Networks by TV Ad Impressions

Via iSpot.tv, the always-on TV ad measurement and attribution company. Rankings are by TV ad impressions, for new episodes only.

It’s no surprise that the NFL continues to serve up the most TV ad impressions on TV, with nearly 7.0 billion from Oct. 4-10. College football also increases impressions yet again, with almost 4.7 billion during the time period (up from about 4.4 billion the week before).

More data about the top programs by TV ad impressions during the week:

• MLB playoffs are one of TV’s top programs right now, with the first week of baseball’s postseason increasing impressions by nearly 6X over the final week of the regular season.
• Bachelor in Paradise’s three-hour finale served up over 396 million TV ad impressions for ABC, putting up similar numbers to NBC Nightly News with Lester Holt.
• Week five of The Voice increased impressions once more for the singing competition show, which saw a jump of about 8% week-over-week.
• Morning shows Good Morning America, Today and CBS Mornings are all among the top 11 programs by impressions for the week (as is the third hour of Today).

CBS scores the top spot in this week’s ad-impressions-by-network ranking yet again with a big boost from an SEC college football double-header on Saturday. No. 2 Georgia at Auburn leading into No. 1 Alabama at Texas A&M in the primetime slot delivered  over 1.3 billion TV ad impressions for the network.

Additional insights around the top networks by impressions from Oct. 4-10:

• ABC finishes second for the week by TV ad impressions, with almost 20% of those coming via Saturday’s college football action.
• Major League Baseball playoff games gave a big boost to TBS, as TV ad impressions for live, new programming increased from 41 million to 1.85 billion week-over-week.
• Fox Sports 1 impressions nearly doubled due to baseball as well, as fans tuned into American League divisional round action.
• As battles around the infrastructure bill and debt ceiling waged on in the Senate, MSNBC impressions rose by 7.3% week-over-week.

ABC and NBC tied for the top spot in ratings Monday. ABC had American Idol and NBC had The Voice, as both networks posted a 0.6 in viewers 18-49, per the Nielsen overnights, and a 4 share. 

Behind them were CBS and Univision, both at 0.4/3. 

American Idol grew 17% to 0.7 across two hours on ABC and led into a Rebel repeat. 

On NBC, two hours of The Voice also got a 0.7, virtually level with last week. Debris did a flat 0.4. 

CBS had The Neighborhood at 0.6 and Bob Hearts Abishola at 0.5, both down a tenth from their last new airing. All Rise and Bull both scored their usual 0.4s. Last Monday was the March Madness final on CBS. 

Univision had La Rosa de Guadalupe and Te Acuerdas De Mi at 0.4, La Rosa level and Te Acuerdas up a tenth. La Hija Del Embajador earned a flat 0.3. 

Fox and Telemundo both notched a 0.3/2. Fox had a 9-1-1 rerun and the America’s Most Wanted finale got a flat 0.3. 

On Telemundo, Exatlon Estados Unidos, La Suerte De Loli and Buscando A Frida all got a 0.3, Exatlon and Buscando level and La Suerte up a tenth. 

The CW earned a 0.2/1. All American scored a 0.2 and Black Lightning a 0.1, both down a tenth from their last new episode. 

Snoop Dogg will be “mega mentor” on this season of The Voice on NBC. He joins coaches  Kelly Clarkson, Nick Jonas, John Legend and Blake Shelton to mentor the artists who have made it through the Battle Rounds, as each team prepares for the Knockouts. He will first appear on the show Monday, April 19. 

During the Knockouts, artists are once again paired against a teammate, but select their own song to perform individually while their competitor watches. “Drawing from his unique experience in navigating the music and entertainment industry as a renowned rapper, producer and performer, Snoop Dogg will impart a new and fresh perspective to help the artists craft their performances,” said NBC. 

Snoop has released 19 studio albums and received 20 Grammy nominations. He is a host and executive producer on VH1 show Martha & Snoop’s Potluck Dinner and was host and exec producer on Joker’s Wild on TNT. He's a judge on TBS's Go-Big Show. 

The Voice is a presentation of MGM Television, Warner Bros. Unscripted Television in association with Warner Horizon, and ITV Studios The Voice USA, Inc. The series was created by John de Mol, who is an executive producer along with Mark Burnett, Audrey Morrissey, Amanda Zucker, Kyra Thompson and Adam H. Sher.

Ariana Grande will be a coach on The Voice when it airs this fall on NBC. Grande will be joined by Kelly Clarkson, John Legend and Blake Shelton. Carson Daly hosts. 

Grande’s most recent album is “Positions.” 

“As an undeniable force in pop music, Ariana’s inimitable success in the music industry is extraordinary,” said Jenny Groom, executive VP of unscripted content for NBCUniversal Television and Streaming. “We were thrilled to learn that she is a true fan of The Voice and know that this enthusiasm will add to her impact as a dynamic coach. Ariana is a visionary with over a decade of experience in the music industry. Her unmatched vocal skills, creativity and unique expertise on all facets of the industry will make her an invaluable coach to the next generation of artists.”

The Battle Rounds for season 20 of the show continue April 5. Clarkson, Legend, Shelton and Nick Jonas are judges. Season 20 marks the 10-year anniversary of The Voice. 

“I’m so honored and excited to join The Voice family!” said Grande. “I have been a huge fan of the show for such a long time. I can’t wait to go head-to-head with the incredible coaches, get to know these new artists and help to take their craft to the next level.”

The Voice is a presentation of MGM Television, Warner Bros. Unscripted Television in association with Warner Horizon, and ITV Studios The Voice USA, Inc. The series was created by John de Mol, who is an executive producer along with Mark Burnett, Audrey Morrissey, Amanda Zucker, Kyra Thompson and Adam H. Sher.

NBC won the Tuesday ratings race, with The Voice leading the way. NBC rated a 0.7 in viewers 18-49, per the Nielsen overnights, and a 5 share. In second was CBS at 0.6/4. 

Young Rock fell 14% to 0.6 on NBC and Kenan posted a flat 0.5. The Voice scored a 0.9, down 18% from the night before, and the season starter for New Amsterdam a 0.6. 

CBS had NCIS down 11% to 0.8 and FBI off 25% to 0.6. FBI: Most Wanted lost 17% for a 0.5.

Fox was at 0.5/3. The Resident got a flat 0.6 and Prodigal Son dropped 25% to 0.3.

ABC and Univision both scored a 0.4/3. ABC had To Tell the Truth at a flat 0.5 and Black-ish at 0.4, then Mixed-ish at 0.3, the comedies both down a tenth. The premiere of Soul of a Nation got a 0.3. 

On Univision, Vencer El Desamor went up 25% to 0.5 and Te Acuerdas De Mi scored a level 0.3. The premiere of La Hija Del Embajador got a 0.3.

The CW and Telemundo both rated a 0.3/2. The CW had the season premiere of The Flash at 0.3 and Superman & Lois at a level 0.3. 

Telemundo had Exatlon Estados Unidos and La Suerte De Loli at a flat 0.3, and Buscando A Frida down a tenth to 0.2.  

Fox and NBC had the winning score in Monday primetime. 9-1-1 set a hot pace on Fox while the season starter for The Voice did so for NBC. Both networks had a 0.9 in viewers 18-49, per the Nielsen overnights, and a 6 share. Runner-up was ABC at 0.8/5. 

9-1-1 got a 1.0 and 9-1-1: Lone Star a 0.8, both flat. 

On NBC, the premiere of The Voice got a 1.1 across two hours, down a tenth from its premiere in the fall, and the series premiere of drama Debris scored a 0.6. 

On ABC, The Bachelor got a 1.1 and 1.0 across two hours, down from last week’s 1.2. A Good Doctor rerun followed. 

Next was Univision at 0.4/2. Vencer El Desamor got a 0.4 and Tu Acuerdas De Mi a 0.3, both off a tenth, and the Dulce Ambicion finale shot up 33% to 0.4. 

CBS and Telemundo scored a 0.3/2. CBS had reruns. 

On Telemundo, Exatlon Estados Unidos, La Suerta De Loli and Buscando A Frida all put up a flat 0.3. 

The CW did a 0.2/1. All American got a 0.2 and Black Lightning a 0.1, the pair level with last week. 

NBC had the winning score in Monday prime, with The Voice pacing the network to the win. NBC posted a 0.9 in viewers 18-49, per the Nielsen overnights, and a 5 share. That barely beat ABC at 0.8/4. 

The Voice shot up 25% to a 1.0 across two hours and Nurses grew 50% from premiere for a 0.6. 

ABC had Monday Night Football the week before. 

On ABC Dec. 14, The Bachelorette got a 1.0 and 0.9 from 8 to 10 p.m., down 18%, and a 20/20 special about the vaccine a 0.4. 

CBS rated a 0.5/3. The Neighborhood lost 14% for a 0.6 and Bob Hearts Abishola dropped 17% to 0.5. All Rise and Bull both got a 0.4, All Rise flat and Bull down a tenth. 

Univision did a 0.4/2 and Telemundo a 0.3/2. Univision had Vencer El Desamor at 0.5 and Imperio de Mentiras at 0.3. Dulce Ambicion also got a 0.3. All three were level with last week. 

On Telemundo El Domo del Dinero posted a 0.2. Todo Por Mi Hija got a 0.4 and Falsa Identidad a 0.2. All three were flat.  

Fox got a 0.2/1. LA’s Finest did a level 0.3 and a Cosmos: Possible Worlds rerun followed. 

The CW rated a 0.1/1 with IHeartRadio Jingle Ball and a Whose Line Is It Anyway? rerun. 

This is a quick snapshot of TV by the numbers for the week of Nov. 30 through Dec. 6, revealing the most-watched shows and networks using glass-level data from Vizio’s Inscape, and the top shows and networks by TV ad impressions with insights via iSpot.tv.

Most-Watched Shows and Networks 

Via Vizio’s Inscape, the TV data company with insights from a panel of more than 16 million active and opted-in smart TVs. Data is linear, live TV only and includes all episode types (new and reruns). Rankings are by percent share duration (i.e., time spent watching).

Although NFL games yet again captured the most watch-time, it was down to 5.78% vs. 8.41% the previous week. College football was in second place again (2.72% share duration), while college basketball jumped into third place from 10th previously, with 0.97% of all minutes watched. Various news programs rose up the ranking, as did The Voice and assorted shows that often run in marathons: Law & Order: Special Victims Unit, Chicago P.D., Law & Order and Diners, Drive-Ins and Dives.

NFL games, Today and The Voice helped NBC take first place with 8.76% of minutes watched, followed by CBS (8.10%) and ABC (6.65%). Fox News and CNN both edged up a bit, but the biggest week-over-week jump up the ranking went to Freeform, which snagged No. 13 with 1.52% share duration, thanks to a bunch of classic Christmas movies that aired over the week. MSNBC, HGTV, Investigation Discovery, Food Network and Univision all held steady in the top 15.

Top Shows and Networks by TV Ad Impressions

Via iSpot.tv, the always-on TV ad measurement and attribution company. Rankings are by TV ad impressions, for new episodes only. 

NFL games continue to dominate for TV ad impressions, but there was a week-over-week decrease, down to 7.4 billion from the previous 10.2 billion. College football also had a slightly lower count, 3.44 billion impressions vs. 3.87 billion last time. Meanwhile, college basketball jumped into third place with 864.5 million TV ad impressions and notably The Voice snagged fifth place (719.4 million impressions). Other non-news/sports programming in the top 25 included The Price Is Right, 88th Annual Christmas in Rockefeller Center, The Bachelorette, Let’s Make a Deal and The Masked Singer.

On the network side of things, CBS led the pack with 8.5 billion TV ad impressions, 2.8 billion of which came from NFL football games. NBC’s 7.2 billion impressions put it squarely in second place; NFL games also were a big impressions-driver, accounting for 2.4 billion of NBC’s impressions. Hallmark, on the other hand, experienced an over 50% week-over-week decrease in impressions, suggesting that with the long Thanksgiving holiday over, people didn’t have as much time to binge their ongoing slate of Christmas movies.

Nick Jonas returns to The Voice for the 20th season on NBC. The season begins in spring 2021. Jonas will join John Legend, Blake Shelton and Kelly Clarkson, who are the current coaches alongside Gwen Stefani. 

Jonas, part of the Jonas Brothers, is a singer, songwriter, actor and producer. He joined The Voice as a coach in season 18 earlier this year. 

This season, The Voice is averaging a 1.4 rating in viewers 18-49 and 9.5 million viewers in “live plus seven day” Nielsens, according to NBC. 

The Voice is a presentation of MGM Television, Warner Horizon Unscripted Television and ITV Studios The Voice USA, Inc. The series was created by John de Mol, who is an executive producer along with Mark Burnett, Audrey Morrissey, Amanda Zucker, Kyra Thompson and Adam H. Sher.

NBC won the Monday ratings battle, with The Voice leading the way for the network. NBC got a 0.9 in viewers 18-49, per the Nielsen overnights, and a 5 share. That beat ABC’s 0.7/4. 

The Voice got a level 1.0 from 8 to 10 p.m. and a Saturday Night Live special a 0.6. 

On ABC, Dancing with the Stars fell 30% to 0.7 from 8 to 10 p.m. and the season premiere of The Good Doctor rated a 0.6. The Good Doctor opened at 1.0 last year and 1.4 the season before. 

Univision was next at 0.4/2. Medicos had a 0.5 and Imperio de Mentiras a 0.4, the pair both up a tenth. Dulce Ambicion got a flat 0.3. 

CBS got a 0.3/2 and Fox a 0.3/1. On CBS, a The Price is Right prime special posted a 0.6 and was followed by reruns. 

Fox had L.A.’s Finest at 0.3 and Filthy Rich at 0.2, both off a tenth from last week. 

The CW and Telemundo both scored a 0.2/1. On CW, a Whose Line Is It Anyway? repeat led into Penn & Teller: Fool Us at a flat 0.2. 

Telemundo had El Domo del Dinero down a tenth for a 0.1 and Todo Por Mi Hija at a flat 0.3, then Falsa Identidad cut in half at 0.1. 

B&C has partnered with always-on TV ad measurement and attribution company iSpot.tv to bring you a weekly chart we call Promo Mojo: exclusive data showing the top five TV promos ranked by ad impressions. Our data covers the seven-day period through Oct. 25.

On the strength of 286 million TV ad impressions, a promo for Discovery’s Gold Rush is No. 1. Among traditional broadcasters, Fox grabs two spots — second place to promote the 2020 World Series and fifth for College Football — while NBC hypes the new season of The Voice in third place.

Disney Channel rounds out the ranking with a general network promo in fourth place that doubles as a pandemic-era PSA (“Don’t forget: Wash your hands”).

Notably, the Disney spot has the highest iSpot Attention Index (117) in our ranking, meaning viewers were on average highly likely to watch it all the way through (vs. interrupting it by changing the channel, pulling up the guide, fast-forwarding or turning off the TV).

1) Gold Rush, Discovery

Impressions: 286,031,439

Completion Rate: 98.37

Attention Index: 100 (0% fewer interruptions than avg.)

Imp. Types: National 94%, Local 1%, VOD/OTT 5%

In-network Value: $2,124,153

Out-of-network Est. Spend: $477,329

2) 2020 World Series, Fox

Impressions: 271,689,605

Completion Rate: 98.95

Attention Index: 112 (12% fewer interruptions than avg)

Imp. Types: National 93%, Local 6%, VOD/OTT 1%

In-network Value: $4,092,877

Out-of-network Est. Spend: $180,357

3) The Voice, NBC

Impressions: 243,674,081

Completion Rate: 98.48

Attention Index: 103 (3% fewer interruptions than avg)

Imp. Types: National 85%, Local 12%, VOD/OTT 3%

In-network Value: $2,641,715

Out-of-network Est. Spend: $342,781

4) Wash Your Hands, Disney Channel

Impressions: 239,237,622

Completion Rate: 97.64

Attention Index: 117 (17% fewer interruptions than avg.)

Imp. Types: National 97%, Local 1%, VOD/OTT 2%

In-network Value: $2,841,219

Out-of-network Est. Spend: $0.00

5) College Football, Fox

Impressions: 232,177,446

Completion Rate: 98.26

Attention Index: 114 (14% fewer interruptions than avg.)

Imp. Types: National 93%, Local 6%, VOD/OTT 1%

In-network Value: $7,003,420

Out-of-network Est. Spend: $56,435

*Data provided by iSpot.tv, TV Ad Measurement for Disruptive Brands*

Impressions - The total impressions within all US households including National Linear (Live & Time-shifted), VOD+OTT, and Local.

Attention Score - Measures the propensity of consumers to interrupt an ad play on TV. The higher the score, the more complete views. Actions that interrupt an ad play include changing the channel, pulling up the guide, fast-forwarding or turning off the TV.

Attention Index - Represents the Attention of a specific creative or program placement vs. the average in its respective industry. The average is represented by a score of 100, and the total index range is from 0 through 200. For example, an attention index of 125 means that there are 25% fewer interrupted ad plays compared to the average.

Imp. Types - Impression types tracked include National (Live + Time-shifted), Local, VOD & OTT. See below for further details.

In-network Value - Estimated media value of in-network promos.

Out-of-network Spend - The estimated amount spent on TV airing time for this promo's spots during a given date range.

National: Live - A national promo which was viewed during live linear television broadcast or same day, via DVR or on-demand.

Local - A promo that was aired during a local ad break slot.

VOD - This includes promos that run in on-demand content past three days (i.e. do not contain the linear promo load)

OTT - On-demand streaming content (i.e. Hulu, Roku, Fire TV Stick, Chromecast).

ABC and NBC shared the Monday ratings crown, both networks scoring a 0.9 in viewers 18-49, per the Nielsen overnights, and a 5 share. In a distant second was CBS at 0.4/3. 

ABC had Dancing with the Stars for two hours at a flat 1.0 and Emergency Call up 20% to 0.6.

NBC had The Voice for two hours down 17% for a 1.0 and Weakest Link off 25% to 0.6.

CBS had Big Brother up 11% to 1.0 and special Essential Heroes: A Momento Latino Event at 0.2. Two One Day at a Time repeats followed.

Fox and Univision both got a 0.3/2. Fox had L.A.’s Finest at 0.4 and Filthy Rich at 0.3, both off a tenth of a point. 

On Univision it was Medicos at a flat 0.4 and Imperio de Mentiras and Dulce Ambicion at 0.3s. Imperio was flat and Dulce went up a tenth. 

The CW and Telemundo both got a 0.2/1. On CW, Whose Line Is It Anyway? reruns led into Penn & Teller: Fool Us at a flat 0.2. 

Telemundo had El Domo del Dinero at 0.2 and Todo Por Mi Hija at 0.3. Falsa Identidad got a 0.2. All three were level with last week. 

This is a quick snapshot of TV by the numbers for the week of Oct. 19-25, revealing the most-watched shows and networks using glass-level data from Vizio’s Inscape, and the top shows and networks by TV ad impressions with insights via iSpot.tv.

Most-Watched Shows and Networks 

Via Vizio’s Inscape, the TV data company with insights from a panel of more than 16 million active and opted-in smart TVs. Data is linear, live TV only and includes all episode types (new and reruns). Rankings are by percent share duration (i.e., time spent watching).

Once again sports led for watch-time: NFL games captured 6.70% of the minutes watched last week, followed by the 2020 World Series (3.33%) and college football (1.53%). Various news programs also rose up in the rankings, and it’s worth noting that all of the shows that didn’t see week-over-week rankings changes were Fox News programs. The Voice, which had its two-night premiere on Oct. 19 and 20, jumped into 12th place with 0.57% of the minutes watched.

Fox took No. 1 on the network ranking for the second week in a row (10.09%), thanks in part to NFL and World Series games. NBC rose into second place with 8.19% of the minutes watched, partially fueled by NFL games and The Voice. Multiple cable networks also moved up, including two ranking newcomers: Hallmark Movies & Mysteries (0.92%) and TV Land (0.86%).

Top Shows and Networks by TV Ad Impressions

Via iSpot.tv, the always-on TV ad measurement and attribution company. Rankings are by TV ad impressions, for new episodes only. 

TV ad impressions for NFL games jumped up 26.83% week-over-week, to 8.4 billion. MLB (3.4 billion) and college football (3.2 billion) maintained their second and third places, respectively. NBC’s The Voice, which kicked off its 19th season last week, snagged fourth place with 784.2 million TV ad impressions, nearly 110 million more than the No. 5 program (America’s Newsroom).

Not only did Fox keep its first-place position from the previous week, it delivered over 8.3 billion TV ad impressions, a 46.22% week-over-week increase. CBS, in second place with nearly 6.9 billion impressions, also saw an increase: 36.95%. Unsurprisingly, sports were critical to the impressions for both networks: On Fox, over 3.3 billion impressions came from MLB games and 3.2 billion from NFL games — combined, making up 78.8% of the network’s total impressions for the week. Over half of CBS’ impressions came from NFL games (3.2 billion), with Big Brother as the No. 2 impressions-driving program (419.3 million). Notable newcomers to the top 25 ranking included Hallmark (337.6 million impressions), which kicked off its “Countdown to Christmas” movie event on Oct. 24, and Big Ten Network (245.4 million), a result of the Big Ten conference finally starting their season.

B&C has partnered with always-on TV ad measurement and attribution company iSpot.tv to bring you a weekly chart we call Promo Mojo: exclusive data showing the top five TV promos ranked by ad impressions. Our data covers the seven-day period through Oct. 18.

On the strength of just under 273 million TV ad impressions, a promo for Discovery’s Street Outlaws is No. 1. The series about street racing sets a competitive tone for our ranking, continued by promos for game show Supermarket Sweep (ABC) in second place, the 2020 CMT Music Awards (CMT) in third and The Voice (NBC) in fourth.

Disney Channel closes out the list with a general network promo celebrating Disney princesses. Notably, the Disney spot has the highest iSpot Attention Index (117) in our ranking, meaning viewers were on average highly likely to watch it all the way through (vs. interrupting it by changing the channel, pulling up the guide, fast-forwarding or turning off the TV).

1) Street Outlaws, Discovery Channel

Impressions: 272,980,009

Completion Rate: 98.53

Attention Index: 102 (2% fewer interruptions than avg.)

Imp. Types: National 99%, Local 1%, VOD/OTT 0%

In-network Value: $1,816,278

Out-of-network Est. Spend: $0.00

2) Supermarket Sweep, ABC

Impressions: 266,175,603

Completion Rate: 98.63

Attention Index: 107 (7% fewer interruptions than avg.)

Imp. Types: National 85%, Local 13%, VOD/OTT 2%

In-network Value: $2,302,881

Out-of-network Est. Spend: $1,634,228

3) 2020 CMT Music Awards, Country Music Television (CMT)

Impressions: 261,917,128

Completion Rate: 96.60

Attention Index: 106 (6% fewer interruptions than avg.)

Imp. Types: National 77%, Local 21%, VOD/OTT 2%

In-network Value: $1,703,600

Out-of-network Est. Spend: $136,409

4) The Voice, NBC

Impressions: 254,413,022

Completion Rate: 88.53

Attention Index: 110 (10% fewer interruptions than avg.)

Imp. Types: National 86%, Local 12%, VOD/OTT 2%

In-network Value: $3,581,424

Out-of-network Est. Spend: $640,433

5) My Favorite Princess Story, Disney Channel

Impressions: 236,254,180

Completion Rate: 97.90

Attention Index: 117 (17% fewer interruptions than avg.)

Imp. Types: National 97%, Local 1%, VOD/OTT 2%

In-network Value: $2,890,114

Out-of-network Est. Spend: $0.00

*Data provided by iSpot.tv, TV Ad Measurement for Disruptive Brands*

Impressions - The total impressions within all US households including National Linear (Live & Time-shifted), VOD+OTT, and Local.

Attention Score - Measures the propensity of consumers to interrupt an ad play on TV. The higher the score, the more complete views. Actions that interrupt an ad play include changing the channel, pulling up the guide, fast-forwarding or turning off the TV.

Attention Index - Represents the Attention of a specific creative or program placement vs. the average in its respective industry. The average is represented by a score of 100, and the total index range is from 0 through 200. For example, an attention index of 125 means that there are 25% fewer interrupted ad plays compared to the average.

Imp. Types - Impression types tracked include National (Live + Time-shifted), Local, VOD & OTT. See below for further details.

In-network Value - Estimated media value of in-network promos.

Out-of-network Spend - The estimated amount spent on TV airing time for this promo's spots during a given date range.

National: Live - A national promo which was viewed during live linear television broadcast or same day, via DVR or on-demand.

Local - A promo that was aired during a local ad break slot.

VOD - This includes promos that run in on-demand content past three days (i.e. do not contain the linear promo load)

OTT - On-demand streaming content (i.e. Hulu, Roku, Fire TV Stick, Chromecast).

NBC won the Monday ratings battle, with the season premiere of The Voice leading the way. NBC got a 1.0 in viewers 18-49, per the Nielsen overnights, and a 6 share. That beat ABC’s 0.8/5. 

The Voice got a 1.2 from 8 to 10 p.m., down 20% from its season starter in February, and Weakest Link shot up 33% to 0.8. 

ABC had two hours of Dancing with the Stars at 1.0 and Emergency Call at 0.5, both up a tenth of a point from last week. 

Fox had a 0.7/4 and CBS a 0.4/2. Fox had Bills-Chiefs football action starting off prime at 1.3, then LA’s Finest up 67% thanks to football for a 0.5 and Filthy Rich up 33% to 0.4.

On CBS it was Big Brother at a flat 0.9 and One Day at a Time reruns, then Manhunt: Deadly Games at a level 0.2. 

Univision got a 0.3/2. Medicos posted a flat 0.4. Imperio de Mentiras got a 0.3 and Dulce Ambicion a 0.2, those two both down a tenth. 

The CW and Telemundo both got a 0.2/1. On CW it was Whose Line Is It Anyway? and Penn & Teller: Fool Us both at their usual 0.2. 

Telemundo had El Domo del Dinero at a 0.2 and Todo Por Mi Hija at a 0.3, both flat, then Falsa Identidad off 33% for a 0.2.

NBC has shared its fall schedule. The Voice and Manifest go on Mondays. The Voice, This Is Us and New Amsterdam are on Tuesdays. Wednesdays, it’s Chicago Med, Chicago Fire and Chicago P.D. Thursdays have Superstore, Brooklyn Nine-Nine, Law & Order: SVU and new show Law & Order: Organized Crime. Fridays have The Blacklist and Dateline NBC. On Saturdays, it’s Dateline Saturday Night Mystery and Saturday Night Live reruns in prime. Sundays it’s Football Night in America and Sunday Night Football. 

Gwen Stefani returns to The Voice as a judge. 

Law & Order: Organized Crime has Christopher Meloni reprising the Elliot Stabler role he plays on SVU. He “returns to the NYPD to battle organized crime after a devastating personal loss. However, the city and police department have changed dramatically in the decade he’s been away, and he must adapt to a criminal justice system in the midst of its own moment of reckoning,” according to NBC. 

NBC touted the stability of its new schedule. “Thanks to the ingenuity of our creative teams and our partner studios, NBC has assembled a remarkably stable schedule at a time when stability is called for,” said Paul Telegdy, chairman, NBC Entertainment. “With the reopening of the Universal lot for select productions this week, we are confident that our schedule will premiere intact later this fall. We design shows for longevity and this schedule remains a powerful propulsive force for shows to start here and carry on entertaining across generations.”

Telegdy continued, “Our brand has always championed positive programming, and the events of this year have allowed us the time to take pause, examine our business with a new lens and take some immediate action. Since many of our writers’ rooms have not yet opened, we are taking this opportunity to offer all of this season’s showrunners the chance to enrich their team with an additional diverse writer at any level. It is not the solution by any means, but it is something we can do right now to take a positive step.”

The midseason and summer seasons feature the Tina Fey/Robert Carlock comedy Mr. Mayor, which stars Ted Danson; Kenan, with Kenan Thompson; and Young Rock, with Dwayne Johnson, and about his childhood. Those seasons will also have Good Girls, Zoey’s Extraordinary Playlist, Ellen’s Game of Games, musical game show That’s My Jam, alternative-scripted series True Story and game show Small Fortune. 

NBC had the top score in Tuesday ratings, with the finale of The Voice pacing the network. NBC got a 0.8 in viewers 18-49, per the Nielsen overnights, and a 5 share. In second was Fox at 0.7/4. 

The Voice took up all of prime, going from a 0.6 in the first hour to a 0.9 and then 0.9, the latter two hours flat with last week. 

Fox had The Masked Singer at 0.9, down from last week’s 1.8 and 0.9 double bill, and Gordon Ramsay’s 24 Hours to Hell and Back down 17% to 0.5. 

Univision got a 0.6/3. Te Doy La Vida fell 17% to 0.5 and Amor Eterno scored a flat 0.6. Como Tu No Hay 2 shot up 20% to 0.6.

CBS rated a 0.5/3 with reruns. 

ABC got a 0.3/2. Special After the Dance with Stephen A. Smith got a 0.4. Special The Story of Soaps tallied a 0.3 from 9 to 11 p.m. 

Telemundo did a 0.3/2. Cennet went up 33% to 0.4 and 100 Dias Para Enamorarnos got a level 0.3. La Reina del Sur 2 lost a tenth for a 0.2.

The CW posted a 0.3/1. DC’s Stargirl opened to a 0.3 and DC’s Legends of Tomorrow did a flat 0.2. 

NBC had the top score in Monday ratings, with The Voice leading the network to a 0.9 in viewers 18-49, per the Nielsen overnights, and a 5 share. In second were ABC and Univision at 0.6/3. 

NBC had two hours of The Voice up 10% at 1.1 and 1.0, and Songland at a level 0.7. 

On ABC, two hours of The Bachelor Presents: Listen to Your Heart got a flat 0.6 and The Baker and the Beauty was down 20% to 0.4.

Univision had Te Doy La Vida and Amor Eterno at 0.6s. Como Tu No Hay 2 did a 0.5. All three were flat. 

CBS got a 0.5/3 and Fox a 0.4/2. Both had reruns. 

Telemundo did a 0.3/2. Cennet got a flat 0.4 and 100 Dias Para Enamorarnos fell 25% to 0.3, then La Reina del Sur 2 was a level 0.2. 

The CW did a 0.1/1. Penn & Teller: Fool Us rated a 0.2 and Roswell, New Mexico a 0.1, both level with last week. 

NBC had the top score in Tuesday prime, with The Voice leading the network to a 0.8 in viewers 18-49, per the Nielsen overnights, and a 4 share. That topped the 0.6/3 put up by ABC, CBS, Fox and Univision.

The Voice lost 10% for a 0.9 and Ellen’s Game of Games was a flat 0.8. Hollywood Game Night got a 0.6.

ABC had the special The Happy Days of Garry Marshall at 0.6 from 8 to 10 p.m. The For Life season finale did a flat 0.5.

CBS had reruns of NCIS, FBI and FBI: Most Wanted.

Fox had two hours of Gordon Ramsay’s 24 Hours to Hell and Back at 0.6, level with its last airing.

On Univision it was Te Doy La Vida up 20% to 0.6 and Amor Eterno at a level 0.6. Como Tu No Hay 2 lost 17% for a 0.5.

Telemundo posted a 0.3/2. Cennet, 100 Dias Para Enamorarnos and La Reina del Sur 2 all got 0.3s. Cennet lost a tenth and the other two were flat.

The CW scored a 0.3/1. The Flash season finale got a 0.4 and DC’s Legends of Tomorrow a 0.2, both dramas flat. 

NBC had the winning score in Tuesday prime, The Voice leading the network to a 0.7 in viewers 18-49, per the Nielsen overnights, and a 4 share. That beat the 0.6/3s that ABC, CBS and Univision all put up.

The Voice grew 11% to 1.0 and Ellen’s Game of Games got a flat 0.8. A New Amsterdam repeat followed.

ABC had the season finales for its comedies. The Conners lost 10% for a 0.9 and Bless This Mess was a flat 0.6. Mixed-ish did a level 0.5 and Black-ish slid 20% to 0.4. Drama For Life rated a level 0.4.

CBS had repeats of NCIS and FBI before FBI: Most Wanted got a 0.6. Last time out, it got a 0.9 and 0.8 in a double run.

Univision had Te Doy La Vida at a flat 0.5 and Amor Eterno up 20% to 0.6. Como Tu No Hay 2 also climbed 20% to 0.6.

Fox posted a 0.5/2 with Masked Singer repeats.

The CW scored a 0.3/2. The Flash tallied a 0.4 and DC’s Legends of Tomorrow a 0.2, both dramas flat.

Telemundo got a 0.3/2 as well. Cennet went up 33% to 0.4 and 100 Dias Para Enamorarnos and a La Reina del Sur special both did a 0.3. 100 Dias lost a tenth and La Reina stayed level. 

Following up an effort from last fall, Comcast will again enable X1 customers to vote for finalists for NBC’s The Voice using their remote controls.

Starting with tonight’s episode of The Voice, at 8 p.m. ET on NBC (the show will air on Mondays and Tuesdays at that time), customers can cast votes with their X1 remotes, including remotes with integrated voice capabilities.

In a new twist, Cox Communications customers on the MSO’s new “Contour” set-top box platform, enabled through a syndication deal with Comcast’s X1 platform, will also have access to the TV-based voting feature.

RELATED: Cox: 1M Subs Now on X1-Powered ‘Contour’ TV Product

“X1 customers will also be able to cast up to ten votes per artist during the broadcast, on par with the show’s other voting methods,” Comcast’s Zane Vella, who joined the company via its acquisition of deep metadata company Watchwith, explained in this blog post.

RELATED: Going Deep With Metadata (subscription required)

“After a customer casts a vote (and/or votes) on X1, each interaction gets passed over to NBC’s official voting partner Telescope to ensure they’re tallied alongside votes from other platforms,” he added. 

Last night’s WWE Monday Night Raw episode on USA Network drew nearly 3 million social media interactions, said Nielsen.

The show averaged 2.8 million Facebook, Instagram and Twitter interactions to top all television shows on Monday, according to Nielsen's daily Social Content Ratings report.

ABC’s American Idol finished second with 739,000 interactions, followed NBC’s The Voice, Fox’s Lucifer and VH1’s Love & Hip Hop: Atlanta.

TNT drew more than 1 million interactions for its Miami Heat-Philadelphia 76ers (1.7 million interactions) and its San Antonio Spurs-Golden State Warriors (1.4 million) NBA Playoffs telecasts, besting all live TV sports telecasts, according to Nielsen. 

Adding another interactive element to the TV mix, Comcast and NBC said customers on the MSO’s X1 platform can now use their remote controls to pull up ballots and cast votes for their favorite artists during live telecasts of The Voice. The feature for X1 debuts with tonight’s episode, which starts at 8 p.m. ET.

All X1 boxes will support the voting feature. Comcast's X1 customers can vote via the voice remote by saying, “Vote for The Voice,” into their X1 voice remotes, or by pressing the “info” button on any X1 remote.

The ballot, appearing on the right side of the TV screen, categorizes the artists by team, allowing viewers to cast a vote for their favorite performers. Viewers can cast one vote per artist on X1 during the live broadcast and up until on hour after the conclusion of that night’s show.

Comcast said X1 is currently the only partner of NBC’s The Voice to offer a TV-based voting option (Comcast owns NBC).

About 57% of Comcast’s residential pay TV subscriber base, which stood at 21.34 million at the end of Q3, is on X1. Comcast has deployed more than 17 million X1 voice remotes so far.

Comcast hasn’t announced when it will extend similar voting capabilities to other shows from NBC or other programmers, but it’s already using X1 to deliver interactive features like its sports app, as well as widgets for weather, horoscopes, news, traffic, and access to voice mail and the Xfinity My Account app.

“We look forward to amplifying the excitement of the live shows even more by giving fans of watching The Voice on X1 a new way to interact with the show this season,” Daniel Spinosa, vice president, entertainment services for Comcast Cable, said in a statement. We believe X1 offers customers the best in-home entertainment experience, and this is another great example of how we are partnering with networks to leverage the platform to create new interactive experiences.”

“The Voice has always been a show that leverages the digital space, and each season we continue to innovate on ways to engage fans across platforms,” added Rob Hayes, EVP, digital at NBC Entertainment. “The X1 partnership, which gives audiences a seamless interactive viewing experience, is a natural extension of The Voice’s brand as one of the most social shows on television.”

The premiere episode of the final season of Freeform’s drama series Pretty Little Liars was the most social TV show on Tuesday, according to Nielsen.

The series, which will end its run in June after seven seasons, on Tuesday garnered 549,000 social media interactions from 350,000 unique Facebook and Twitter users to lead all entertainment-based shows, Nielsen said. NBC’s The Voice was second with 321,000 interactions, followed by USA Network’s WWE SmackDown, which pinned down 225,000 social media interactions.

Related > Study: Social TV Alive and Well

Fox News Channel’s The O’Reilly Factor and Fox’s Prison Break rounded out the top five series and specials for the day.

Fox Sports 1 and Fox Deportes’ coverage of the UEFA Champions League soccer match between Real Madrid and FC Bayern Munich topped all live sports events for the day with 1.3 million Facebook and Twitter interactions. TNT’s Chicago Bulls-Boston Celtics NBA Playoffs telecast finished second with more than 1 million social interactions, according to Nielsen.

NBC Universal CEO Steve Burke told analysts Wednesday that smaller networks at large programming companies could be under pressure as those content providers continue to focus on their bigger brands.

Speaking on a conference call with analysts to discuss parent Comcast’s second quarter results, Burke remembered the cable operator’s initial purchase of NBCU, and how it said that ultimately it would look to reduce the number of overall channels at the company. Today, that is becoming reality at NBCU – it rebranded its Style Network as Esquire Network and shuttered its G4 channel in 2013 – and with other content companies as well.

“We and most other large media companies are concentrating on their big brands,” Burke said on the call. “We had a network called G4 and a network called Style, neither one currently exists. I think you will see more of that with us and others as the discussions with MVPDs get more and more contentious. You want to make sure that your big networks are fully supported and you’re more willing to reallocate. Normally when you do those reallocations they’re not all that negative for the content owner because you can take some of the programming and fees and ad sales and consolidate them on some of your bigger networks”

Burke said the focus on its larger brands like broadcaster NBC and cable channels like USA Network, Syfy, Bravo and others makes the programming bundle more compelling.

“The good news for us is if you have NBC, you really need to be in a bundle, if you have USA it needs to be in a bundle, if you have Syfy or Bravo or E! those are big substantial networks that are in the bundle,” Burke said. “We make most of our money in those big channels. And we’ve trimmed and I think you’ll see us and others continue to trim some of the more marginal channels. There are just too many channels. People are spending too much programming channels that are not fully distributed. You’d much rather put your money and have Mr. Robot on USA and The Voice and Blindspot on NBC and really go with your strong networks.

Burke continued that it is an ongoing process, and NBCU sees more to be done.

“I think there is more to do,” Burke said. “I don’t think it is going to have a material impact on the way our profitability looks in terms of cable channels one way or the other – it might be slightly positive.  I think it will evolve itself over the next number of years. We’ll continue to invest what we need to invest in the big guys and try to trim some of the smaller ones.”

USA Network’s WWE Monday Night Raw series drew the most tweets of any television show on Monday, according to Nielsen.

The live, three-hour primetime show generated 143,000 tweets from 30,000 unique Twitter users, besting second place finisher, VH1’s Love & Hip Hop Atlanta, which drew 81,000 tweets, according to Nielsen’s Twitter TV Ratings report.

NBC’s The Voice was third, followed by ABC’s Dancing With The Stars and VH1’s Black Ink Crew, said network executives.

TNT’s coverage of the Oklahoma City/ San Antonio NBA playoffs game was the most tweeted live sports event, generating 340,000 tweets from 146,000 unique Twitter users, said Nielsen.

E! will soon air Christina Milian Turned Up in Q1, which will explore the artist's career goals, personal obstacles, as well as bonds with her Cuban-American family.

As an Actress, singer, performer and mother, Christina Milian finds everyday struggles in balancing her career with her family life. Bouncing back and forth from New York, LA and Miami, she strives to create a healthy combination of the two.

"We simply adore Christina,” said Jeff Olde, Executive Vice President of Original Programming & Development to E! "She’s young, vibrant and a highly accomplished artist who has a hectic life balancing the glitz and glamour of celebrity, and the rough and tumble world of hip hop, with the more relatable moments of being a mom, newly back on the dating scene, and trying to make things better for her family.” 

The show centers on Milian’s relationship with her controlling mother Carmen, who has been her manager since she was a child, her two opinionated sisters and her daughter Violet.  

With a broken off engagement and the endless battle of a non-stop career, Milian’s life has become more complex. As a new mother working on multiple studio albums, as well as appearances on The Voice and Dancing with the Stars, she plans to take her career up a notch.

She serves as a motivational speaker, the owner of Viva Diva Wines and the creator of the project, Shelby Star. Milian is one of the executive producers on the show, along with Roy Bank, Kelsey Grammer, Stella Bulochnikov, Brian Sher, Larissa A.K. Matsson, Carmen Milian. In connection with Lionsgate Television, Christina Milian Turned up is a Banca Studio and G3 Production.