National Geographic will team with famed director Ridley Scott on a new scripted series, part of several new scripted and documentary series announced Wednesday as part of the network's “further front” presentation in New York. 

New scripted series include The Hot Zone, based on the international bestseller by Richard Preston and executive produced by Ridley Scott, which  recounts the true story of the Ebola virus, said network officials.

The Hot Zone joins the previously announced, Silicon Valley-themed series Valley of the Boom as new shows on the network’s scripted series lineup, which also includes returning series Genius -- which Wednesday was renewed for a third season that will focus on Frankenstein author Mary Shelly -- and Mars, which will return for its sophomore campaign later this year.

Other scripted series in development include Hidden Figures, an anthology series inspired by the Oscar-nominated movie that profiles people whose contributions to science, technology and innovation have been overlooked by history; The White House Detail, an inside look at the personal and professional lives of U.S.Secret Service agents; and Ten Borders, a six-part limited series centered on five unrelated individuals who are inexorably pulled into one another’s lives through the mass exodus of humanity from war torn Syria to the safe refuge of Sweden. 

Among the network’s new documentary series are Hostile Planet, a six-part series that focuses on the world’s most extreme environments to reveal the animal kingdom’s most epic stories of survival, and In Their Words, which chronicles high-profile events through vintage audio and film recordings. Among the topics explored in the series include the Deepwater Horizon disaster, the narco drug wars and the 2008 global financial crisis.

Another show, Chain Of Command: Secret Service, chronicles the exploits of the agency that protects the president of the United States, said Nat Geo.

National Geographic will also develop several live projects, including Brain Games Live, based on the Emmy-nominated show; and Yellowstone Live, a four-day event that showcased the best of the National Park’s wildlife in real time,

Other specials include Mission to the Sun and Apollo 50 Anniversary, said the network.

The new shows and specials will join returning series Cosmos: Possible Worlds; The Story Of God With Morgan Freeman; Explorer: Life Below Zero; StarTalk; Wicked Tuna and Wicked Tuna Outer Banks.

“National Geographic has become the destination for the best-in-class creatives, who want to partner with us on big, bold premium and entertaining content,” said Courteney Monroe, CEO, National Geographic Global Networks in a statement. “Our upfront slate is evidence that our transformation is truly taking hold and reaffirms our commitment to amplify important topics that matter, to create dialogue and to use the power of storytelling to change the world.” 

Several cable networks have put their ratings faith into scripted dramas and comedies that have church- and religion-based themes as a backdrop.

Shows ranging from dramas like OWN’s upcoming Greenleaf, starring Oprah Winfrey; Bounce TV’s first original series, Saints & Sinners; and AMC’s DC Comics-driven Preacher to comedies like TV Land’s The Soul Man and Impastor feature religious overtones that networks say help bless the show’s main storyline and characters — who often than come across more as sinners than saints.

“The shows provide a fresh perspective of the world that we know,” Ri-Karlo Handy, senior vice president of original programming for multicast network Bounce TV, said about the new church-themed drama series Saints & Sinners. “We’re not being overly religious, but instead are showing real, flawed characters that often make mistakes even in the midst of the church.”

TRACK RECORD OF RATINGS WINS

Church- and religious-themed original movies and limited series have generated strong numbers in recent years. History’s five-episode series The Bible averaged more than 13 million viewers in 2013, while National Geographic Channel’s original movie Killing Jesus set a ratings record last March with 3.7 million viewers. (Nat Geo will target the faith-based audience in a different way on April 3 with the new docuseries The Story of God With Morgan Freeman.)

Until recently, though, there have been very few scripted drama or comedy series on television that have featured the church or religion as a main component of a show’s storyline. Unlike reality or Bible-based documentary shows, which tend to have a more preachy focus, scripted dramas and comedies focus less on theology and more on the human and often-flawed characters within the church, executives said.

For African-American targeted network Bounce TV, Saints & Sinners, which stars Vanessa Bell Calloway (Coming to America) and Gloria Ruben (ER) and follows the conflicts among members of a small-town Georgia Baptist church, drew a network-record 1.5 million cumulative viewers for the episode that bowed March 13.

“Our audience is one that really likes the drama and the characters, and this is a great new backdrop that they haven’t seen,” Handy said.

“Not every character in our show is a devout Christian, but they have some sort of connection to the church, whether good, bad or indifferent.”

OWN also hopes to draw religious and non-religious viewers to Greenleaf, which debuts in June. The show, the first scripted series in which network CEO Oprah Winfrey will have a recurring acting role, follows a powerful and influential family and their Memphis, Tenn., megachurch.

Greenleaf gives the network a way to reach its core viewers with drama, as it did with the Tyler Perry-created series The Haves and the Have Nots, but this time with a show that probes religious themes, OWN president Erik Logan said.

“We find this arena to be compelling and interesting … there hasn’t been a lot of exploration to date in it, and I think it’s an area where we see opportunity to put real characters and real situations on screen for storytelling purposes,” he said. “Ultimately, it’s about all the challenges that a large family has, but the background that the church provides is a very interesting and compelling stage for us to have this story and have these very rich and diverse characters talk from.”

‘SOMETHING LARGER AT PLAY’

TV Land has approached religion afrom a comedy standpoint with freshman series Impastor, about a gambling addict who ends up stealing the identity of a gay pastor, and The Soul Man, which stars Cedric the Entertainer as a superstar singer who returns to lead his father’s church.

The Soul Man, which launches its fifth and final season March 30, is TV Land’s most watched show among African-Americans.

The religious themes add a new wrinkle to the show’s overall characters and storylines, TV Land executive vice president of development and original programming Keith Cox said.

“While the church is a background element in every episode, it’s really just a touchstone for the idea that there’s always something larger at play,” Cox said.