Michael Engleman said he will step down as chief marketing officer for Paramount Plus Domestic and Paramount Plus with Showtime.

The move follows the decision to sell Paramount Global to Skydance Media and continuing consolidation and cost-cutting at the company. 

“This marks the end of my third chapter at Paramount, as I actually started my career at MTV many years ago,“ Engleman said in a memo to staff. “The place keeps drawing me back.  While many things in this whitewater raft ride of a business have changed, there’s one very important thing that has remained a constant.  Paramount is a place that encourages visionaries to take smart risks and do incredible things.”

Engleman was named CMO and global brand director of Showtime Networks in 2019. In that role he oversaw the brand integration of Showtime with Paramount Plus.

Before joining Showtime, Engleman served as chief marketing officer for TBS and TNT. Previously he was executive VP, marketing, digital and global brand strategy for Syfy and Chiller at NBCUniversal.

“In the face of incredible change, your ingenuity was rocket fuel that propelled great brands and new businesses,“ Engleman said in his note. “Launching new hit titles like Yellowjackets or The Chi?  No problem, you crushed it. Sending off venerable trailblazers, like Homeland, Billions, Shameless?  You made an art form out of it.  Create streaming juggernauts out of Super Bowl LVIII or Champions League?  Yep, also you.  

“Break a few subscription records with reimaginations like Dexter, Halo or Frasier…no problem,“ he continued. “You get the point. You’re special. From the commerce to the art, you’ve always found ways to beat the odds. And I’ve no doubt you will continue to win.” 

Showtime has picked up season three of drama City on a Hill. Kevin Bacon and Aldis Hodge star. There will be eight episodes airing next year. Showtime said production will resume in New York later this year. 

Tom Fontana produces and is the showrunner.

Season two centered on a federal housing project in the Roxbury neighborhood of Boston plagued with drug violence and a distrust in law enforcement. FBI agent Jackie Rohr (Bacon) works to exploit Boston's defective criminal justice system in a desperate attempt to salvage his career. Assistant district attorney Decourcy Ward (Hodge) is onto Rohr’s latest misstep. The antagonism between the two escalates to an all-out war between the offices of the U.S. Attorney and the Suffolk DA. 

At the conclusion of season two, Decourcy pursues justice in and out of the courtroom and Jackie gets ousted from the FBI.

The season also stars Lauren E. Banks, Mark O’Brien, Amanda Clayton, Matthew Del Negro and Jill Hennessy.

Jennifer Todd, Ben Affleck, Matt Damon, Jorge Zamacona, Barry Levinson, Chuck MacLean and Michael Cuesta executive produce alongside Fontana. Bacon, Hodge and Michele Giordano are co-executive producers.

Sometimes just a few words paint an immense picture. At this week's Goldman Sachs "Communacopia" conference, both Jeff Bewkes of Time Warner and Les Moonves of CBS uttered a total of four words that can be interpreted as the prelude toward direct-to-viewer service by the premium networks in each mogul's empire, HBO and Showtime respectively.

Bewkes used the words "up until now" and Moonves said "absolutely" in discussing their considerations for selling premium channels content directly as a streaming video service. Such streams would presumably offer an alternative to pay TV channels within a cable or satellite TV subscription. Neither CEO cited details or timetables, but their terse acknowledgements suggest that they are accelerating their consideration of streaming plans.

To be fair, Bewkes and Moonves, like all other top media executives, must be evaluating alternative distribution options all the time. Their separate, coincidental references at the high-profile Goldman Sachs annual event can be seen as simple acknowledgement of their duties to examine and revise their businesses in the context of shifting market situations - in this case, the migration to streamed, on-demand entertainment.

Yet their sparse words resonate with media interests who are pushing for cable-trimming options.  Clearly, HBO and Showtime are in no position now to reveal publicly any plans, which might include separating each network's original productions from the full slate of movies and programs that could be available in a streamed service. The rights issues alone will take years of negotiations.

In full context, Bewkes said "the broadband-only opportunity up until now wasn't [viable.]"  Moonves rhetorically asked if he'd consider streaming Showtime; his "Absolutely" response was an implied "yes" within "I don’t know when the timing is right. It’s very exciting."  Moonves also discussed the prospect of streaming "a Showtime channel in the future ... all over the world.” 

Bewkes devoted more of his Communicopia remarks to doubling the original content carried on Time Warner's Turner channels, which would also create an inventory of new shows for future broadband streams. He did riff about the opportunities for expanding HBO Go, the current "TV Everywhere" service that authenticated subscribers can stream to their digital devices.  Observers at the conference perceived that Bewkes' attitude toward direct-to-viewer services was more cordial than in his remarks at last year's event.

While the few words with their vague signals of streaming intent are a long way from actual implementation, the very recognition of the opportunity marks an important benchmark in producers/programmers/distributors' migration toward direct streaming.  The impact on affiliates is a topic worthy of many, many more words.

Inevitably, barrels of words will be forthcoming about these options.  But no one know exactly when.

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Media analyst Gary Arlen recalls an industry conference a few years ago at which he predicted that HBO would stream its content directly to broadband viewers, and a top HBO executive on the panel responded, "Never." GArlen@arlencom.com