Fox on Wednesday (Dec. 14) will launch its music-themed series Star, the latest entry in a genre that so far this year has hit several sour notes.

The series, which takes over the prime time timeslot of Fox’s hit music series Empire, will look to strike a chord with viewers who tuned out of several cable-based music shows this year.

After much fanfare and a second season green light, HBO’s Martin Scorsese/Mick Jagger ’70 s executive-produced rock ‘n’ roll drama Vinyl failed to hit with viewers, and was canceled four months after it premiered this past February.

Showtime hoped viewers would dance to the beat of its drama Roadies, which followed the lives of crew members for major performers. But the network canceled the Cameron Crowe-produced show before it opened for a second season.

FX’s Denis Leary-helmed comedy Sex&Drugs&Rock&Roll was silenced this past September after two seasons of so-so ratings.

While Empire continues to deliver big ratings for Fox, the task of developing a successful scripted series around the music business is not an exact science, according to Eric Deggans, the media and TV critic for National Public Radio, who is also a musician. While music has broad appeal, Deggans said viewers tend to gravitate to shows that weave music themes into otherwise dramatic, soap opera-esque storylines rather than shows that focus on the nuts and bolts of the music industry itself.

 “I think the way to have a successful show has been shown by Empire and [FX freshman series] Atlanta — you have to figure out ways in which the music is paired with some other attraction so that you get a wide range of viewers,” he said. “When you do feature the music, it has to be strong and authentic.”

Indeed, the Donald Glover-created Atlanta, which focuses on two cousins trying to navigate the ATL’s rap scene, has found an audience. The series’s Sept. 6 premiere drew the network’s second-biggest audience for a series debut, with 3 million viewers. Atlanta has already been renewed for a second season.

CMT is singing the praises of ABC’s cancelled country music-themed Nashville. The cable network will offer an early preview of its season-five premiere on Dec. 15 and  will officially launch the season on Jan. 5.

Star will get its chance to serenade television viewers with the hopes of making beautiful ratings music within a genre that’s delivered mixed results in 2016.

Pictured (from left):Jude Demorest, Ryan Destiny and Brittany O'Grady, the stars of Fox's new series Star, premiering Dec. 14.

Cable networks and streaming services are turning up the volume on music, cueing up scripted shows designed to hit the right notes with audiences.

From Million Dollar Quartet, CMT’s historical look at the birth of rock ‘n’ roll, to Roadies, Showtime’s series about a concert setup crew, to BET’s biographical miniseries New Edition Story, cable networks are mixing pop music with drama in an effort to strike a chord with a broader young audience.

“Music is the great unifier,” Cherie Saunders, TV editor for black entertainment-news website EurWeb.com, said. “If you can tap into a fan base and just feed them a constant diet of that genre of music through whatever drama vehicle you’re presenting, I think that combination can generate a hit series.”

The music component also allows programmers to extend the marketing mix for a series beyond television, into digital album and single sales for original music tied to the show — another way to reach younger viewers.

“Music is an element that brings in younger audiences to drama that might otherwise skew typically older,” TV One president Brad Siegel said. “It’s a way to bring 18-34 and 18-49 viewers into drama.”

Scripted series that play off popular music trends aren’t new to television. Sitcoms like The Monkees (1966-68) and The Partridge Family (1970- 74) had a long shelf life in reruns. More recently, Fox’s Glee and ABC’s recently canceled Nashville took music-themed TV into new terrain.

And on the cable side, music-themed biopics like last year’s Whitney, Lifetime’s take on the life of pop diva Whitney Houston, and HBO’s Bessie, which starred Queen Latifah as blues icon Bessie Smith, have generated big ratings and garnered critical acclaim.

But it’s the success of Fox’s hip-hop themed Empire that’s helped the genre hit a high note with viewers. Music serves as a strong backup player to the dramatic series’ soap opera-like storyline.

Empire, which depicts the triumphs and struggles of a family-run music enterprise, was the top freshman show on both broadcast and cable during the 2015-16 television season and remained among the most-watched shows by adults 18-49 during its sophomore campaign.

“The music is important, but I think the other elements of storytelling, production value and amazing characters are just as big a contributor to the show’s success as having music and music performers,” Siegel said of Empire, for which TV One in April secured rare in-season distribution rights.

Last month, the network scored the biggest Memorial Day weekend ratings in its history by running an Empire marathon.

While just about everyone has an emotional relationship with music, not everyone likes the same types of music, Showtime president and CEO David Nevins said.

Ultimately, music serves as a way to draw viewers to the drama, with the characters and the storyline providing the glue that keeps them coming back each week, said Nevins, whose Showtime will launch Roadies on June 26.

Produced by Cameron Crowe (Almost Famous) and J.J. Abrams (Star Wars: The Force Awakens), Roadies follows the backstage workers who build and break down the stage for a touring rock band.

STORY MATTERS, TOO

Other distributors have been successful in melding music themes with strong storylines. Amazon scored a hit with its sophomore dramedy series Mozart in the Jungle. The classical music-based series won two 2016 Golden Globe awards for best comedy series and best actor in a comedy or musical series for star Gael Garcia Bernal.

FX’s Sex&Drugs&Rock&Roll, which follows Denis Leary (also a producer) as an aging rock star trying to resurrect his career with the help of his musically inclined estranged daughter, returns for a second season in July, while HBO’s 1970s rock music-themed series Vinyl — despite so-so reviews and less than stellar audience numbers — returns for a second season in 2017.

Netflix will also revisit the 1970s in The Get Down, a series that will focus on the rise of hiphop music late in that decade.

CMT is hoping viewers will make hits of two music-based scripted series: Million Dollar Quartet and Still the King, which stars countrymusic veteran Billy Ray Cyrus as a one-hit-wonder-turned-Elvis impersonator who hits rock bottom before discovering he has a 15-year-old daughter.

CMT’s first scripted-series foray would naturally be rooted in music, given the channel’s country-music pedigree, CMT executive vice president of development Jayson Dinsmore said. But both shows will offer music that extends beyond the traditional Nashville sound, he said.“We didn’t just put the expected songs in Still the King — you’ll hear everything from the Rolling Stones to Modest Mouse, in addition to current country artists,” he said.

With Million Dollar Quartet, the network will look to extend the show’s brand to the Billboard charts by selling the show’s performances in music stores and on digital platforms, Dinsmore said.

All of the performances from Million Dollar Quartet will be available for purchase on iTunes after each episode airs. CMT is exploring the idea of a music tour involving the series’ stars once filming of the first season has ended.

Indeed, Saunders said Empire and Nashville effectively incorporated popular music both as part of the storyline as well as promotional tool to help expose the series to new audiences by selling songs from the series as part of digital single downloads and full albums.

Empire’s season-one soundtrack, released in March 2015, debuted at No. 1 on the Billboard 200 albums chart — the first TV soundtrack to launch at the top of the charts since Glee in 2010. By the time Empire launched its second season last October, the album had sold more than 431,000 copies and had been streamed online, either in part or in full, more than 122 million times, according to Nielsen.

SPINOFFS ARE KEY

“We have to look at all kinds of different benchmarks in order to determine what is a successful television series today, and a big part of that is fan engagement,” Dinsmore said. “The more we can offer up experiential things like a tour, the more goodwill we have around the channel.”

BET will also look to generate music sales from New Edition Story, the documentary miniseries based on the 1980s R&B boy band that spawned the careers of Bobby Brown and Bell Biv DeVoe.

BET president of programming Stephen Hill said the industry is just now striking up the band for even more music-based shows to serenade viewers. “There are some stories that can be told,” he said, adding that the network is exploring several music-based series of its own, although he would not disclose specifics.

Added EurWeb.com’s Saunders: “As long as the ratings continue to soar for these types of shows you’ll see more of them. It won’t be too long before we get a polka show or a bluegrass series.”

FX Networks has ordered a 10-episode second season of Denis Leary comedy series Sex&Drugs&Rock&Roll. Leary and stars Elizabeth Gillies, John Corbett, Elaine Hendrix, Robert Kelly and John Ales will return with the show in 2016. 

FX said that, on a Live+7 basis through the first eight episodes, the first season of Sex&Drugs&Rock&Roll represents basic cable’s most-watched freshman primetime scripted comedy of 2015 in men ages 18-49 and 25-54, and the third most-watched new primetime scripted comedy series on basic cable among adults 18-49 and total viewers. Following a pattern set by several FX dramas, it also sees a big lift between live plus same day viewing and Live+7 among adults 18-49 (+81%) and total viewers (+83%).

Leary also serves as a writer, composer and a director, as well as an executive producer along with Jim Serpico. The show is produced by FX Productions and Fox 21 Television Studios.

Eric Schrier and Nick Grad, presidents of original programming, FX Networks and FX Productions, announced the renewal. Schrier said, in part, in a release: “We thank Denis and the rest of the cast, along with Jim Serpico and Tom Sellitti, for a terrific first season and look forward to indulging in more Sex&Drugs&Rock&Roll in season two.”

Leary in the release said, "The only thing that could make me happier about this announcement is if David Bowie decided to be a guest star during Season Two. In which case, my head would explode. Hopefully on-camera so we get a kickass viral video out of it. Not to mention awesome Live+3s. I look forward to once again creating new episodes of television with John Landgraf's exceptional FX team. And scoring some cool Bastard Executioner swag."

Leary plays “Johnny Rock,” lead singer of a legendary early 90s New York band called The Heathens. The band flamed out early, but Johnny’s daughter Gigi (Gillies) has reunited its members as her new backup band.

FX’s new series Sex & Drugs & Rock &Roll definitely lives up to its name in an entertaining fashion.

The series tells the story of a former 90’s rock star Johnny Rock (Denis Leary) and his former band The Heathens. Johnny had a reputation for being a drug addicted, alcoholic rock legend, and the band for various reasons has broken up numerous times.

Johnny -- who is beginning to come to grips with the realizations of his advancing age and the future of his career -- in a chance encounter meets his 25-year-old daughter Gigi (Elizabeth Gillies) and eventually helps her achieve stardom.

Given a new lease on life, Johnny now hopes to bring the band back together just like old times, as well as to form a bond with the daughter he never knew. Set in modern day New York, the whole band lives together in one apartment and becomes a family, albeit a very dysfunctional one. Yet its music and Gigi’s success that holds them all together.

The cast of Sex&Drugs&Rock&Roll is very humorous and eclectic, and the music and lyrics in the series is heartfelt. Other cast members include Elaine Hendrix as Johnny’s girlfriend, John Corbett as Flash, and John Ales as Rehab and Robert Kelly as Bam Bam.

While the content and language is for mature adults, Sex & Drugs & Rock & Roll will be enjoyable for music lovers and 90’s babies everywhere.