The Federal Communications Commission has proposed to make TV Everywhere emergency information "accessibile everywhere" as well.

At its May open meeting Thursday, the FCC voted unanimously (with some partial dissents from the Republicans) to require cable operators and other MPVDS to make emergency alert information accessible to the sight-impaired when their traditional programming lineups are accessed on second screens like tablets and phones.

Cable ops had been lobbying to confine that second-screen requirement to second screens in the home, but the FCC chose not to limit it. "The new rules apply when MVPDs permit consumers to access linear programming on tablets, smartphones, laptops, and similar devices over the MVPD’s network as part of their MVPD services," said an FCC spokesperson. "This more clearly delineates the services subject to the rule than a formulation that focuses on whether the services are provided “in the home.”

The tablet and smart phone emergency alert accessibility requirement does not extend to video that originates over-the-top, only to second-screen access to traditional cable service.

MVPDs will have two years to make sure that any application or plug-in cable ops provide to their customers to access traditional linear cable channels via second screens can pass through "audible emergency information provided in a secondary audio stream."

Cable operators had also asked that the FCC make the mandate of operator-supplied apps proscriptive, which the FCC agreed to do, which means it will not require retrofitting aps in use prior to the impementation date.

The FCC vote was another step in its ongoing implementation of the Communications and Video Accessibility Act (CVAA).

Also approved was a notice of proposed rulemaking (NPRM) teeing up other issues, including whether to require school closing information to be audibly rendered and whether MVPDs should be responsible for ensuring those second screens can easily access the information.

Republican commissioners took issue with the NPRM's suggestion that MPVDs need to make sure second-screen devices can easily access that information, saying the idea was laudable, but that the mandate exceeded the commission's authority, as did a mandate on manufacturers.

They also said the FCC did not have the authority to mandate that manufacturers make the accessibility feature reasonably comparable to a button, key or icon, citing the same lack of authority issue.

Commissioner Michael O’Reilly said that cable operators were already innovating on the accessibility front.  He cited new products he had seen at INTX. He said they highlighted “an industry putting a lot of time, talent and investment into making the benefits of its products accessible to all and pushing the edge with technological innovations far outside the limits of the commission’s mandates.”

FCC chairman Tom Wheeler said that while it might not be headline-grabbing, his FCC would continue to take the steps necessary to make communications accessible to all Americans. He said that extending the emergency alert accessibility to second screens, it would provide “a few extra seconds of warning at a time when seconds count.”

Also at the meeting, the commission voted unanimously, and without dissents, to temporarily extend the iCanConnect National Deaf-Blind Equipment Distribution Program, which was created by CVAA and was set to expire June 30--and to propose making it permanent. The program subsidizes equipment to make advanced telecommunications accessible to those with both sight and hearing loss.

A trainer and user of the equipment, Eddie Martinez Jr. appeared as a witness and demonstrated it by e-mailing Chairman Wheeler, who promptly e-mailed back.

New York -- The biggest challenge in the live TV production environment is the sheer amount of content producers must create and send out quickly, according to a panel here at B&C/Multichannel’s Business of Live TV Summit Tuesday.

“You’ve got to produce content for third party screens and iPads and phones and Twitter feeds and Facebook and so on,” said Jason Cohen, director of sports production, HBO, to moderator and TV Technology editor-in-chief Tom Butts.  “I think the greatest challenge is it’s no longer just a show. It’s like two or three shows at once.”

Joining Cohen on the panel were Efi Dilmoni, broadcast technology consultant, Orad; Larry Estrin, director, Clear-Com Global Rental Group; John Hamlin, senior VP of music events and talent, CMT; James Stellpflug, VP, sports products, Americas, EVS.

Hamlin added social media is key to jumpstarting live award show programming and the conversation begins much earlier than the show.

“The Twitter sphere and the conversation on Facebook is really starting about four hours before we shoot the live awards show,” said Hamlin. “When the show opens, the first ten or fifteen minutes, I spend an inordinate amount of my budget on the first segment of every awards show, and it’s the lowest rated part of the award show, but it starts the conversation.”

Stellpflug noted live television is mostly the same as it was 10 years ago “in terms of the live event. But the audiences, the people that are getting different things out of the show, the way they interact with that show, how it goes viral, effects the show.”

Estrin pointed out that the immediacy of content in live TV added to the challenges of producing it.

“If you can’t talk to one another, whether you’re sitting next to one another or across the world, you really can’t make it happen in a cohesive manner,” said Estrin. “Tools are being developed today, as we speak, that allow total portability. A producer sitting in the front row here, if they wanted to, could in fact be talking with a handheld system directly to somebody in China, calling some shots in some shows.”

Estrin also spoke on the continuing spectrum crunch he feels with wireless communication.

“I was over at NBC this morning and we were talking about the number of wireless production people on Saturday Night Live,” said Estrin. “I happened to have worked on the first year of Saturday Night Live. I think we had four people. Now we routinely have over a hundred people on a wireless communications device walking around the studio between the two floors that they utilize.”