TMZ takes a close look at actor Matthew Perry and the drug network that led to his death when TMZ Investigates: Matthew Perry & the Secret Celebrity Drug Ring airs on Fox Monday, September 16. “Throughout the episode, the roles of drug dealers, willing enablers, unscrupulous doctors and unethical rehab centers will be examined,” TMZ said. 

Perry, who played Chandler Bing on Friends, died in October from the effects of ketamine at age 54. His personal assistant, two doctors and two others were criminally charged with providing the actor with the ketamine. 

The hour-long special streams on Hulu September 17. 

It also features Kelly Osbourne and Mike “The Situation” Sorrentino sharing their own struggles with addiction, and creepy medical professionals who are hungry to land a celeb client and their money. 

TMZ Investigates tells stories of celebrities, crime and pop culture. The series is executive produced by Harvey Levin, Ryan Regan, Don Nash, Charles Latibeaudiere and Jess Fusco.

Other episodes in the TMZ Investigates series include an examination of Richard Simmons, Kanye West and the marriage of Ben Affleck and Jennifer Lopez. 

The untimely death of Matthew Perry this week was mourned by millions of people the world over. 

It’s a testament to how talented Perry was, but also to how much Friends and other sitcoms have become cultural touch points for the people who grew up with them.

It is why, at a time when churn is the biggest threat facing most streaming services, reviving the classic sitcom makes a whole lot of sense.

Yes, sitcoms have their faults. 

They’re formulaic, rely on see-it-coming-from-a-mile-away jokes, and the situations are often invented. 

Meaning they are nothing like hit streaming sitcoms including Netflix's BoJack Horseman, or even HBO’s Barry.

But that’s OK.

Shows like that reach a certain type of audience — more educated, more urbane, more likely to churn out when the series is done.

Classic sitcoms, however, are designed to reach a mass audience. People identify with the characters, regardless of how broadly they are drawn, and consistently tune in week after week.

And while mass audiences will rarely drop in to watch “snobby shows,” the snobby show audience will, indeed, watch a well-done sitcom, regardless of whether they care to admit it.

Sitcoms, American sitcoms anyway, average about 25 episodes per season, versus streaming sitcoms, which average somewhere between 10 and 12 installments.

Volume is critical in several ways. 

First, it creates a sense of intimacy with the audience. The characters are there week in and week out, and their stories become part of the fabric of viewers’ lives. This is especially true for long-running series like Friends that can last for as long as 10 seasons.

Secondly, it creates a very valuable asset for syndication. A series with over 100 episodes can become a major programming asset, filling a specific time slot five days a week on syndication, as well as an entire FAST channel.

These assets are even more valuable now, when the shift to streaming has greatly reduced the number of 100-plus episode series — Black-ish, The Big Bang Theory and Modern Family were the last few. With the possible exception of Abbott Elementary, which has been renewed for a third season, the networks don’t have much in reserve. 

Diluting the Laughs

The long seasons meant that there were many filler episodes and that plots often went nowhere. Multiple seasons also meant that the writers would run out of ideas and resort to more preposterous story lines as the years went by, introducing new characters and new situations that in many cases, did not work.

That said, fans are forgiving. They may not have liked Cousin Oliver, but they didn't turn their backs on The Brady Bunch. Long seasons also gave writers and showrunners the ability to fix things on the fly, altering plot lines that did not appear to be working.

Classic sitcoms are also great vehicles for advertisers. They are traditionally written around commercial breaks, and given that their goal is (usually) to make the audience laugh, those breaks mean that advertisers are getting their messages in front of consumers when they’re in a good mood and will, ideally, associate the advertiser’s message with that good mood.

Additionally, ad breaks seem less onerous on sitcoms, where they’re not interrupting a dramatic storyline or keeping viewers from learning who the real killer is.

Mostly though, they appeal to the sort of mass audiences that are critical to getting more ad dollars to flow to TV. Big brands want to run their ads against popular, first-run content. They also want to reach as many people as possible with their ads and classic sitcoms allow them to reach a wide audience that includes most of the audience segments they want to reach against just that sort of first-run original content.

One more factor is that unlike modern sitcoms, which are filled with quirky characters, classic sitcoms always feature at least a few likable characters. Even in a show like The Office, there’s always a Jim and Pam for audiences to root for. This is another plus for advertisers — they like when their products are associated with shows featuring likable characters. In their view, the positive vibes extend all the way to the brand.

This is not to say that streaming services should give up on shows like Barry or Shrinking, the new Harrison Ford/Jessica Williams/Jason Segel vehicle on Apple TV Plus. The good thing about streaming is that there is room for both and both types of series have their place. But for streaming services that are looking to boost their ad-supported tiers while also cutting down on churn (e.g. most of them), a return to the classic sitcom format might be just the ticket.

Matthew Perry, who played Chandler Bing on smash comedy Friends, has died at 54. News outlets have reported that Perry was found unresponsive in a hot tub at his Los Angeles home. 

Perry’s struggles with drugs and alcohol went on for much of his life. 

Perry was born in 1969 in Williamstown, Massachusetts. His mother was a press secretary for the Canadian prime minister, Pierre Trudeau. His father was an actor. 

Perry’s parents divorced when he was a baby. He grew up primarily with his mother and stepfather, Keith Morrison, in Ottawa. 

When he was 15, Perry moved in with his father in Los Angeles, focusing on tennis, which he’d played at a high level in Canada. He also got started in acting. 

Perry’s film debut was the 1988 feature A Night in the Life of Jimmy Reardon. His movie roles also included Almost Heroes, Three to Tango, 17 Again and The Whole Nine Yards. 

Friends ran from 1994 to 2004 on NBC and was a massive hit. 

After Friends, Perry was in Studio 60 on the Sunset Strip on NBC in 2006 and 2007, Mr. Sunshine on ABC in 2011 and The Odd Couple on CBS from 2015 to 2017. 

Two years ago, Perry appeared in a Friends reunion on HBO Max. 

Perry wrote the 2022 memoir Friends, Lovers and the Big Terrible Thing. 

Warner Bros. Television Group, which produced Friends, said in a statement: “We are devastated by the passing of our dear friend Matthew Perry. Matthew was an incredibly gifted actor and an indelible part of the Warner Bros. Television Group family. The impact of his comedic genius was felt around the world, and his legacy will live on in the hearts of so many. This is a heartbreaking day, and we send our love to his family, his loved ones, and all of his devoted fans.”

HBO Max Wednesday revealed the official trailer for its much-anticipated special, Friends: The Reunion during its virtual upfront presentation.

The special, which debuts on the streaming service May 27, reunites the six stars of the iconic 1990s series -- Jennifer Aniston, Courteney Cox, Lisa Kudrow, Matt LeBlanc, Matthew Perry and David Schwimmer -- for a real-life, unscripted celebration of the show. The Friends comedy series ran on NBC from 1994-2004.

Friends executive producers Kevin Bright, Marta Kauffman, and David Crane serve as executive producers of Friends: The Reunion along with Ben Winston.

Also Read: TNT, TBS to Show Max Originals in Low-Ad 'Front Row' Windows 

Netflix continues to add to its collection of library titles with the acquisition of 1990s comedy series Friends, the OTT service announced Wednesday.

Netflix will have access to all 10 seasons of the iconic Warner Bros./NBC series, starring Jennifer Aniston, Courteney Cox, Lisa Kudrow, Matt LeBlanc, Matthew Perry and David Schwimmer, said Network officials.

While the series is currently in syndication, it’s the first time all 236 episodes and 83 hours of  the Bright/Kauffman/Crane Productions-produced Friends series will be available on a streaming subscription service.

Friends will debut on Netflix beginning Jan. 1, 2015, said Netflix officials.