Nat Geo is shifting its approach to Emmy-nominated anthology series Genius by featuring two icons, civil-rights leaders the Rev. Martin Luther King Jr., and Malcolm X, in its fourth season.

The eight-part series, launching February 1, is an intimate look at both Malcolm X and Martin Luther King’s complex lives as husbands, fathers, brothers, and sons as it showcases their humanity and leadership qualities, Nat Geo said.

Genius MLK/X stars Kelvin Harrison Jr. as King, Aaron Pierre as Malcolm X, Weruche Opia as Coretta Scott King and Jayme Lawson as Betty Shabazz.

Series executive producer Gina Prince-Bythewood said the series captures the spirit and essence of Malcolm X and King, along with their wives. “We knew the narrative we wanted to tell to put these two men and two women together to show their parallel stories – not just in the iconic moments and the historical things they’ve done, but in their personal lives as well,” Bythewood told Multichannel News. 

While the first three Genius series, showcasing Albert Einstein, Pablo Picasso and Aretha Franklin, only featured a single icon, the dual narratives of Genius MLK/X won’t hurt the show’s ability to adequately profile both legendary leaders, according to executive producer Reggie Rock-Bythewood.

“As great a series as [Genius] has been, we never came in with a mandate to do what was done before,” he said. “We came in with our own personal mandate to disrupt the genre, and we’re so happy that we’re the first season of the show that looks at two different Geniuses.”

Along with the Bythewoods, the series is executive produced by Raphael Jackson, Damione Macedon, Channing Godfrey Peoples, Brian Grazer, Ron Howard, Francie Calfo, Gigi Pritzker, Rachel Shane, Sam Sokolow and Jeff Stetson.

Click below to listen to an interview with the Bythewoods on the latest episode of the “Content Spotlight” podcast. 

National Geographic will profile Malcolm X and Martin Luther King Jr. as part of the new season of its Genius scripted drama series.

The fourth installment of the Emmy-winning Genius franchise, which moves to Disney Plus from National Geographic, will for the first time profile two extraordinary individuals as it explores the formative years, pioneering accomplishments, dueling philosophies and key personal relationships of King and Malcolm X, said network officials. National Geographic had previously announced King as its lone fourth season subject.

Reggie Rock Bythewood and Gina Prince-Bythewood will serve as executive producers for the series along with Brian Grazer and Ron Howard. Raphael Jackson Jr., Damione Maceson, Francie Calfo, and Anna Culp also serve as executive producers.

The previous three Genius installments focused on Albert Einstein, Pablo Picasso and Aretha Franklin. 

“Malcolm and Martin are staggering icons, and we have been eager to explore the genius of these two very real men in a way that has not yet been seen,” said the Bythewoods in a statement. “We are excited to team up with Imagine Entertainment and 20th Television to reflect their amazing lives and contributions to civil rights and the urgency of today.” ■ 

Epix will bring back its original drama series Godfather of Harlem for a second season in April 2021, the network said Thursday. 

The series stars Forest Whitaker as  infamous crime boss Bumpy Johnson, who in the early 1960s returned from eleven years in prison to find the neighborhood he once ruled in shambles, said network officials.

According to Epix, season two will see Bumpy continue his struggle to reclaim command over Harlem from the Italian mobsters by attempting to seed internal discord and sever their vital heroin pipeline. Meanwhile, Malcolm X will be forced to choose between violent and nonviolent response to the near constant threats to his life and his relationship with Bumpy will be severely tested.

 Season one of Godfather of Harlem debuted in September 2019.

Also Read: A 'Godfather' of Storytelling 

He used his voice — a deep, mesmerizing, reverberating baritone — to rouse and compel and sometimes shock a nation into action. The impassioned, ardent and controversial speeches that were at the heart of Malcolm X’s call to action were unlike anything those in the 1960s had ever heard before.

Now, a program airing on the Smithsonian Channel as part of the channel’s TheLost Tapes series — titled The Lost Tapes: Malcolm X — will explore the myth and life dichotomy of this civil rights leader.

Most compelling is the way in which the program’s storytelling may impact your own impression of this mesmerizing, impassioned, controversial young man.

The story of Malcolm X is mostly likely refracted back to most of us through a heavy filter of history, controversy and the legacy of other civil rights leaders. But the Smithsonian documentary offers viewers a new take: an un-narrated, real-time accounting of his life as it unfolded. The documentary charts the path of Malcolm as he attempts to make sense — and alter the path of — one of the most turbulent times in our nation’s history.

Starting Jan. 31, the documentary will be screened at a series of co-hosted red-carpet premieres in 16 cities across the nation, beginning at the National Museum of African American History & Culture in Washington, D.C. On Feb. 21, a special screening will take place at the National Black Theatre in Harlem where Malcolm X’s daughter, Ilyasah Shabaaz, will offer remarks about her father on the 53rd anniversary of his death. Community leaders, government officials and public figures will be in attendance at these events, including MVPD partners Comcast, Charter and Altice.

Real-time Storytelling Offers New View

According to David Royle, executive vice president of programming and production for the Smithsonian Channel, the unique filmmaking style of The Lost Tapes highlights a storytelling style that is both dramatic and has contemporary relevance. “The unique filmmaking style of The Lost Tapes really plays to [our] hunger [for authenticity],” he said.

Filmmaker Tom Jennings pulls together rarely-seen video footage, newly discovered audio tapes, newspaper headlines and, for the first time, newly public footage of Nation of Islam rallies that recreates key moments in time. 

The documentary has neither talking heads nor any interviews, only short captions that explain the video and audio on screen. No one tells you how to think or what to believe.

It’s a modern way to explore history in the Internet age, Royle said. 

The program examines the pivotal years of Malcolm X’s life, touching on his work as a minister and his time as a spokesperson for the Nation of Islam. It looks at his years as a student of Elijah Muhammad, who lobbied for the separation of African Americans from white society, and Malcolm X’s eventual disillusionment with that path.

Take the shocking audio recordings taken from within the Audubon Ballroom in Harlem on Feb. 21, 1965, when Malcolm X was assassinated by three gunmen who rushed the stage as he was speaking.

That first report, from an off-duty freelance radio reporter named Gene Simpson, was described as pandemonium.

“Shots rang out all over the place,” Simpson says in the unnerving original recording. “He’s now laying on the stage. He’s alive, but feebly.” Malcolm X died soon after. 

For decades, those tapes had been locked away in a storage unit in Hawaii until they were unearthed and restored for the documentary.

Filmmaking that Charts a Difficult Path

Making the documentary in this way was not an easy process. But it was necessary for the filmmakers to depictthe way Malcolm X's ideas evolved over time — as opposed to letting the filter of history alter the view from 2018.

“The finished films are so enthused with drama that it looks easy, as if the stories just unfolded in some seamless outpouring,” Royle said. “But it’s difficult to accomplish this without using scripts or interviewees to explain what’s going on.”

“You can’t help but be impressed not only by his immense intellect but his charm and charisma, [and by] his humor and dazzling smile,” Royle said. “It's really fascinating to imagine what he would have accomplished if he had survived.”Footage within The Lost Tapes: Malcolm X, includes appearances of the activist that have never been broadcast before.

“The Lost Tapes: Malcolm X” will debut on Feb. 26 at 8 p.m. ET/PT on the Smithsonian Channel.