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                            <title><![CDATA[ Latest from Next TV in Lucasfilm ]]></title>
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        <description><![CDATA[ All the latest lucasfilm content from the Next TV team ]]></description>
                                    <lastBuildDate>Tue, 20 Oct 2020 18:48:46 +0000</lastBuildDate>
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                                                            <title><![CDATA[ Disney Plus to Produce 'Willow' Series ]]></title>
                                                                                                                                                                                                <link>https://www.nexttv.com/news/disney-plus-to-produce-willow-series</link>
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                            <![CDATA[ Jon Chu, Ron Howard to executive produce series based on 1980s film ]]>
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                                                                        <pubDate>Tue, 20 Oct 2020 18:48:46 +0000</pubDate>                                                                                                                                <updated>Tue, 20 Oct 2020 23:52:16 +0000</updated>
                                                                                                                                            <category><![CDATA[Programming]]></category>
                                                                                                <author><![CDATA[ thomas.umstead@futurenet.com (R. Thomas Umstead) ]]></author>                    <dc:creator><![CDATA[ R. Thomas Umstead ]]></dc:creator>                                                                                    <dc:source><![CDATA[ http://cdn.mos.cms.futurecdn.net/BRKRoP9suL4GoVzgWPECa7.jpg ]]></dc:source>
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                                <p><a href="https://www.nexttv.com/blogs/disneys-magic-streaming-kingdom ">Disney Plus</a> has greenlit a series sequel to the 1988 fantasy film <em>Willow</em>, the network said Tuesday.</p><p>Ron Howard, who originally directed the George Lucas-produced film, will return as executive producer of the series, with Jon Chu (<em>Crazy Rich Asians</em>) also serving as executive producer and director of the series&apos; pilot. The series takes place years after the events of the original <em>Willow</em> film and introduces all-new characters to the enchanted realm of fairy queens and two-headed Eborsisk monsters, said Disney. Warwick Davis is set to return as the film’s hero Willow Ufgood, according to the service.</p><p><em>Willow </em>is the first non-Star Wars themed Lucasfilm venture since 2015. “This is an exciting new era for storytelling at Lucasfilm,” said Lucasfilm president Kathleen Kennedy in a statement. “Jon Chu&apos;s vision, coupled with the writing of Jon Kasdan and Wendy Mericle, is going to take <em>Willow</em> into new and exciting directions for the series. Reuniting Ron Howard and Warwick Davis in the world of <em>Willow</em> is something that they&apos;ve both wanted to do for some time, and I couldn’t be more proud of the incredible team we’ve put together to bring this series to Disney Plus.”</p>
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                                                            <title><![CDATA[ MCN Original Videos: Courteney Monroe ]]></title>
                                                                                                                                                                                                <link>https://www.nexttv.com/video/mcn-original-videos-courteney-monroe</link>
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                            <![CDATA[ MCN Original Videos: Courteney Monroe ]]>
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                                                                        <pubDate>Wed, 24 Jul 2019 07:33:09 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Disney +]]></category>
                                                    <category><![CDATA[TCA]]></category>
                                                    <category><![CDATA[video]]></category>
                                                    <category><![CDATA[marvel]]></category>
                                                    <category><![CDATA[Lucasfilm]]></category>
                                                    <category><![CDATA[National Geographic]]></category>
                                                                                                <author><![CDATA[ thomas.umstead@futurenet.com (R. Thomas Umstead) ]]></author>                    <dc:creator><![CDATA[ R. Thomas Umstead ]]></dc:creator>                                                                                    <dc:source><![CDATA[ http://cdn.mos.cms.futurecdn.net/BRKRoP9suL4GoVzgWPECa7.jpg ]]></dc:source>
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                                <iframe frameborder="" height="" width="" data-lazy-priority="high" data-lazy-src="https://content.jwplatform.com/players/1VltmGmw-uufpz0H5.html"></iframe><p>National Geographic Global Networks president Courteney Monroe discusses the company's programming strategy under new parent Disney in a TCA 2019 edition of MCN Original Videos.</p>
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                                                            <title><![CDATA[ VidAngel: Public Invested $10 Million To Help Defend Against Studios’ Suit ]]></title>
                                                                                                                                                                                                <link>https://www.nexttv.com/news/vidangel-public-invested-10-million-help-defend-against-studios-suit-409057</link>
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                            <![CDATA[ VidAngel: Public Invested $10 Million To Help Defend Against Studios’ Suit ]]>
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                                                                                                                            <pubDate>Mon, 14 Nov 2016 13:00:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Warner Bros]]></category>
                                                    <category><![CDATA[Lucasfilm]]></category>
                                                    <category><![CDATA[Walt Disney Co.]]></category>
                                                    <category><![CDATA[vidangel]]></category>
                                                    <category><![CDATA[20th Century Fox]]></category>
                                                                                                <author><![CDATA[ john.eggerton@futurenet.com (John Eggerton) ]]></author>                    <dc:creator><![CDATA[ John Eggerton ]]></dc:creator>                                                                                    <dc:source><![CDATA[ http://cdn.mos.cms.futurecdn.net/ETjt8sjZcQr97v7yakQ4hP.jpg ]]></dc:source>
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                                <p>An embattled content-filtering company has given new meaning to the term “angel investors.”</p><p>Utah-based <strong>VidAngel</strong>, whose goal is to make family-friendly moderations to Hollywood content, says it has raised more than $10 million in what it was billing as a “record-setting” mini-IPO (initial public offering).</p><p>It was seeking $5 million and actually got $10,123,986 from 7,553 “angels.”</p><p>The company could use the money, given that it is defending itself in a lawsuit — VidAngel says it is willing to go all the way to the Supreme Court — filed by <strong>The Walt Disney Co.</strong> and other major Hollywood studios in California district court over the technology, which lets users filter language, violence and nudity out of movies and TV shows. A hearing is set for Monday (Nov. 14) on the studios’ effort to block the service.</p><p>VidAngel — which says it pays for DVD copies of the movies it then preps for streaming and easy editing — argues that it is only giving users the ability to more effectively filter content shown in their own homes.</p><p>The studios argue VidAngel is illegally modifying and streaming their content. And while VidAngel buys the DVDs, the studios, in their legal complaint, say the company has not bought the rights to distribute that content online, is making unauthorized copies to deliver on unauthorized streams and is “no different from many other unlawful online services.”</p><p>That action can interfere with the studios’ windows of distribution. For example, says the complaint (to which <strong>Lucasfilm</strong> is a party), VidAngel offered <em>Star Wars: The Force Awakens</em> online for $1 “when lawful VOD services [Netflix, Hulu] did not yet have the right to offer that work for a single-day access at all.”</p><p>VidAngel actually sells a copy of a DVD of a movie or TV show for $20, which the buyer can stream online and edit out the naughty bits — then VidAngel will “buy” it back for $19 in credit toward the next DVD. “[O]ur model provides families remote filtering of DVDs/Blu-ray Discs they own under the Family Movie Act of 2005,” a company spokesperson told the Wire.</p><p>VidAngel has produced a number of YouTube videos (with Wire-like attitude, we might add) to argue its case.</p><p>For example, in “Does VidAngel Ruin Art,” their answer is yes, and no. “Yes, for some people VidAngel ruins art,” the video narrator, a young, flip fellow, says. “They might say skipping nude scenes in <em>Schindler’s List</em> alters the directo’s vision and makes the artistic experience worse. If they feel that way about every movie, VidAngel probably isn’t for them. But, no, not everyone feels that way. So, VidAngel improves their artistic experience by exposing them to art they would not have seen otherwise. … People who don’t filter aren’t godless heathens out committing human sacrifice and people who filter aren’t prudish religious zealots also committing human sacrifice.”</p><p>The California court will have a chance to decide whether or not to clip VidAngel’s wings and see its service sacrificed to the copyright gods.</p><p><strong><em>Colorado Votes: Many More for Muni</em></strong></p><p>Readers of The Wire (and who isn’t?) will remember there were a bunch of initiatives on the ballots in <strong>Colorado</strong>, including <strong>Aspen</strong>, to pre-empt restrictions on municipal broadband buildouts.</p><p>The <strong>Institute for Local Self-Reliance</strong> (ILSR), which was pushing for passage, said that all 26 of the initiatives passed, bringing Colorado’s total to 95 communities opting out of the cable-backed state law limiting buildouts except in areas that don’t already have broadband service.</p><p>“We didn’t need a crystal ball, magic potion, or ESP to predict that local Colorado voters would enthusiastically reclaim telecommunications authority yesterday,” blogged <strong>Lisa Gonzalez</strong>, with ILSR’s Community Broadband Networks project.</p><p>Crystal balls weren’t that useful in the general election anyway.</p><p><em>— John Eggerton</em></p><p><strong><em>Trump Has Already Been a Bummer for TV (Ads)</em></strong></p><p>President-elect <strong>Donald Trump</strong> has already disappointed many media companies — the ones hoping for a big bump in political ad sales, especially after the hype over the successful Obama campaigns’ targeted strategies.</p><p><strong>Pivotal Research</strong> analyst <strong>Brian Wieser</strong> thinks total TV spending on political in 2016 will fall below 2012 (the last presidential year) and be up only around 10% vs. 2014. He told the Wire top cable operators <strong>Comcast</strong> and <strong>Charter Communications</strong> (pro forma for Charter’s Time Warner Cable takeover) brought in around $120 million in political ads in the third quarter, versus about $105 million in the 2014 period and $140 million in Q3 of 2012.</p><p>At the local ad-sales level “everyone is way off” their budgets this year because of political, an executive at a company in the sector (who asked not to be named) told the Wire. That’s ominous for 2017 when there are no Olympic Games or big political races to soak up inventory, the executive said.</p><p>Bucking the trend: <strong>Viamedia</strong>, which sells local ads for smaller cable providers and the likes of <strong>Verizon Fios TV</strong> and <strong>Google Fiber</strong>. Spending on other races more than made up for Trump’s parsimony, it said. Clinton outspent Trump by a ratio of 9 to 1 at Viamedia, which saw political ad revenue rise more than 50% vs. 2012, per CEO <strong>Mark Lieberman</strong>.</p><p><em>— Kent Gibbon</em></p><p><strong><em>What the Shirt?</em></strong></p><p>One good sign last week was that the <strong><a href="http://www.amazon.com/">Amazon.com</a></strong>link to buying the “Rope. Tree. Journalist.” T-shirt that was, famously, sported at a rally for now President-elect <strong>Donald Trump</strong> (see cover story) was no longer functioning at press time. Fortunately, reporters covering Trump still are.</p><p><em>— John Eggerton</em></p>
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