Singer-songwriter Kelly Rowland — one-third of the legendary R&B trio Destiny’s Child, along with Beyoncé Knowles and Michelle Williams — will look to mentor a new musical “girl group” in Chasing Destiny, a new documentary series premiering Tuesday (April 5) on BET. Multichannel News programming editor R. Thomas Umstead caught up with Rowland to discuss her move into television as executive producer of Chasing Destiny, as well as her thoughts on its place in the slew of music competition series on television, such as The Voice. Here’s an edited excerpt of their conversation.

MCN Original Video: Content Spotlight on BET's 'Chasing Destiny,' With Kelly Rowland

MCN:What inspired you to createChasing Destiny?

Kelly Rowland: For me, it was filling a void in the marketplace. Growing up, I remember there were so many different musical groups, whether they were male or female, and I wanted to see that again. Right now there’s only Fifth Harmony, Little Mix (which I put together) and One Direction — and all of them are from these reality competition shows. I didn’t want to do that, but instead I wanted to do a show where people were following me on this journey, so it ended up being a documentary.

MCN:You mentioned that there are very few female singing groups. Why are there so few groups these days?

KR: I don’t think it’s so much the business as much as there are a lot of young and upcoming artists who just want to be solo artists … I think that they think that’s all that there is, but if you share the light you sparkle brighter. I came from a great group and, within groups, they have the opportunity to showcase comradery, to be great in what they are doing and to make an impact on culture.

MCN:How does your showChasing Destinydiffer from similar music or talent-discovery shows likeAmerican IdolorThe Voice?

KR: For one, there’s no cutting or elimination process — you’re just seeing the group evolve and come together. There will be moments where we’ll have girls that probably won’t stay, whether it’s because of themselves or they come in and say, “I’m not cut out for this.” They’ll also see that there’s a lot of work involved; you’ll never know what’s going to happen. The cameras are rolling and they catch everything in its most organic and authentic state.

MCN:Has the TV music-competition genre had a positive influence on the music industry in general?

KR: I think that when you have great artists like Kelly Clarkson and Carrie Underwood that come from shows like Idol, you’re excited for them, but they also started with something magical going in. They started with a great work ethic, they love music and it’s what they live and breathe. When you have great artists like them, you realize that shows like that could be something special. But when it’s expected to find a star overnight, that’s when it becomes a hindrance to the business.

MCN:You’re executive producer of the series and you’re also starring in it as well. Will you look to do more television projects along with your musical endeavors?

KR: Absolutely. It’s been a lot of work, but a lot of fun so far. I didn’t know it entailed so much work in terms of thinking about all the extra things that go along with producing a show, and the logistics of everything is a lot of work. (Laughs.)

MCN:Will we see your Destiny’s Child sisters on the show?

KR: We’ll see. I’m calling on everybody to be completely honest not only for their knowledge but to tell everyone out there about the music industry.

Black Entertainment Television will roll out its most ambitious original programming slate ever featuring new scripted and reality shows, the network announced Thursday (April 23) in advance of its upfront presentation.

The network, which delivers more African American viewers on a weekly basis than any other cable network, will build on its scripted lineup with a new sitcom, Zoe Moon, starring Brandy Norwood as a single mom seeking a new life as a fledgling cosmetics mogul, according to network officials.

The series will join returning scripted shows Being Mary Jane, Real Husbands of Hollywood and the final season of The Game.

On the non-scripted front, the network will team with Destiny Child singer Kelly Rowland to develop Chasing Destiny, which aims to find the next big female superstar group. Other docu-series on the docket include About the Business, following a tight knit group of friends in Hollywood; Criminals at Work, exploring crimes committed around the workplace; and The Label, which chronicles the rise and fall of classic record labels over the past 25 years, the network said.

BET will also delve into sports with the June 20 debut of RocNation Sports Live Boxing, its first ever multi-fight boxing series. On the sports-themed reality side, the network will produce DeSean Jackson: Home Team, which follows the personal and professional life of the talented Washington Redskins’ wide receiver.

The network will also produce several news specials in 2015, including Katrina—10 Years Later; OJ Simpson – 20 Years Later and Justice & Race.

Returning series include Nellyville, It’s a Mann’s World and Bobby Jones Gospel.

“Black consumers experience BET Networks differently than any other network because of our 35 years of history, tremendous experience and insights,” Debra Lee, BET Networks chair and CEO, said in a statement. “We continue to give our viewers what they want – high quality content that respects, reflects and elevates them.With more hours of original programming than ever before, our new shows coupled with our returning hits like Being Mary Jane and Nellyville make our original slate stronger than ever.”