The big winners of the 2017 Emmy Awards nominations were HBO and Netflix with their combined 200+ nominations, along with shows like This Is Us, Westworld and Saturday Night Live.

Diversity also took center stage in Los Angeles during Thursday’s Emmy’s nominations program as a record number of actors of color received nominations for their outstanding performances on the small screen, from Emmy veterans like Viola Davis, Regina King and Anthony Anderson to newcomers like Snoop Dogg and Donald Glover.

Some of the top Emmy nominated shows also featured multiple nominations for actors of color. HBO’s Westworld drew a scripted series-high 22 nominations, including nominations for Thandie Newton and Jeffrey Wright for best supporting actress and actor in a drama, respectively.

Sterling K. Brown – who won an Emmy last year for his role in FX’s People v. O.J. Simpson – was nominated in the lead actor in a drama series category along with Ron Cephas Jones for best supporting actor in a drama and Brian Tyree Henry for guest drama actor for their roles in the 11-time Emmy nominated drama This Is Us.

Both Westworld and This Is Us were also nominated for best drama series.

Related: Strong Rookie Class Vies for Emmy Nods

The record number of Emmy nominations for actors of color comes despite some arguably glaring Emmy snubs. Voters for the major series and acting categories showed no love for HBO’s Insecure and its star Issa Rae or Oprah Winfrey’s performance in the pay service’s original movie The Immortal Life of Henrietta Lacks – although the series is nominated in the best TV movie category. Also, last year’s Emmy winner in the best actor in a drama series category Rami Malek won’t be back to defend his title after not getting nominated for his starring role in USA’s Mr. Robot.

Still, there’s a lot for diversity champions to cheer about, even as a noticeable number of shows with lead actors of color are no longer on the air. Shows like Netflix’s The Get Down and Sense8, Fox’s Pitch, Hulu’s East Los High, WGN’s Underground, ABC’s American Crime and most recently NBC’s The Carmichael Show have all left broadcast, cable network and video streaming service lineups, taking with them some of the momentum the industry had been building with regards to showcasing diverse images and stories on screen.

As long as the industry continues to keep its focus on the inclusion of images and stories derived from a wide and diverse source of talented individuals, there will continue to be a large pool of deserving performances from which the TV academy can choose its best and brightest to honor.

Streaming video service Hulu will end its drama series East Los High this fall with a one-hour final episode, the company confirmed Friday.

The Emmy-nominated series, which premiered in 2013 and ran on Hulu for four seasons, follows the lives and experiences of Latino high school students making their way in East Los Angeles.

The final episode will pick up eight months after the cliffhanger season four finale and chronicle the students as they prepare to leave high school behind and maybe even East Los Angeles, according to the service.

The East Los High: Finale Event will be executively produced by Katie Elmore Mota and Mauricio Mota, as well as by series creator Kathleen Bedoya.

This week’s Hispanic Summit will focus on the shifting priorities within the expanding business of Hispanic television. One of those priority shifts should be toward Hispanic viewing of over-the-top services, according to several recent reports.

While Hispanics continue to watch traditional television in big numbers, averaging 112 hours a month watching live and DVR time-shifted TV in the second quarter — behind only African-Americans — those numbers were down by five hours from the same period in 2014, according to Nielsen’s Total Audience report.

What is increasing is Hispanics’ use of OTT services such as Hulu, Netflix and Amazon. Among Hispanic TV viewers, 30% of their weekly viewing is of content from OTT services , nearly double the 18% just two years ago, according to Horowitz Research’s recent “Focus Latino” report.

Moreover, nearly half of Hispanic Internet users with a multichannel subscription feel that viewing TV content over the Internet is as easy as watching a multichannel service, Horowitz said.

Also, Hispanics tend to binge-view while accessing OTT services, a Thinknow Research study said. That study reported that 40% of Hispanic OTT viewers prefer to watch three or more episodes of their favorite shows back-to-back compared to just 29% of non-Hispanic viewers.

That’s despite the relatively sparse amount of content targeted to Hispanic viewers on OTT services — and in particular Spanish-language programming — compared with the numerous Hispanic-targeted English and Spanish-language cable networks available on MVPD lineups.

There has been some efforts to reach Hispanics in the digital space: Hulu has been very aggressive in developing original Hispanic-themed projects such as scripted drama series East Los High (pictured).

DirecTV’s Yaveo OTT service has also looked to serve Hispanic consumers seeking Spanish-language programming without the need for a cable-TV subscription.

Still, Hispanic increases in OTT viewing haven’t correlated with a significant increase in cable cord cutting. Horowitz reported that 89% of Hispanics with access to OTT SVOD services also have a multichannel service, providing opportunities for all content providers to reach a very influential and growing customer base.