Fox Entertainment has locked down a broadcast development deal with Denis Leary, star of the network’s The Moodys.

Leary will create, develop and produce comedy, drama and animated series for Fox through his new production company, Amoeba. 

Leary may also star in the new series he develops.

Financial terms of the deal were not disclosed.

“Through his warm, waggish and relatable portrayal as the Moody family patriarch, Denis has become a fast friend of Fox.  His creative pedigree speaks for itself; and when the opportunity arose to expand our relationship with him to create new comedies, dramas and animated series for us, we leapt at the chance,” said Michael Thorn, president of entertainment for Fox Entertainment. “As we ramp up our commitment to programming year-round, we’re honored to partner with Denis on this broadcast-exclusive deal, and we’re looking forward to seeing the incredible work that will come of it.”

Fox recently renewed The Moodys for a second season.

Leary has been nominated for five Emmy awards, but never won. He starred in and created Rescue Me for FX, which was part of the Fox family before being sold to The Walt Disney Co.

“Everyone at Amoeba is excited about this partnership and we look forward to creating new, cutting-edge content at Fox,” Leary said.  “As well as using their luxury suites for World Series games and the Super Bowl.”

Charlie Collier, CEO, Fox Entertainment, added, “Welcome Denis. You’re paying face value for all tickets and twice face-value for Boston and New England.”

BEVERLY HILLS, Calif. — Actor, producer and hip hop artist Curtis “50 Cent” Jackson will look to add to his burgeoning entertainment empire through a recently signed development deal with Starz, a pact that has him creating several new projects for the premium service. Jackson, currently executive producer and co-star of Starz’s hit drama series Power, will create and executive-produce a new superhero-themed series for Starz dubbed Tomorrow, Today through his production company, G-Unit Film and Television.

Jackson spoke with Multichannel News programming editor R. Thomas Umstead after Starz’s Television Critics Association Summer Tour panel on Power. They discussed his new deal with Starz, which runs through 2018, as well as his efforts to juggle his musical and television aspirations. An edited version of the interview appears below.

Related >MCN Original Video: Curtis '50 Cent' Jackson, Courtney Kemp Discuss Power Season 3

MCN:What does it mean for you as a TV producer to have this new deal with Starz?

CJ: It’s exciting. It’s allowing me to have a platform to bring my ideas out. It’s a perfect fit for me to be in premium cable because things can be made now that are more graphic, so it’s allowing me to be as graphic as the material that’s being created out here not only in the youth culture, but in the hip hop culture, so it’s exciting. What makes it exciting for me is to be able to present that content to a wide audience.

MCN:What should viewers expect fromTomorrow, Today?

CJ: It’s a superhero-themed show and it’s about a doctor that works for the U.S. government and is developing a serum to create super soldiers. Following the discontinuation of the program, he continues to work on it and ends up working in the infirmary of the state penitentiary, and gives the serum to the perfect lab rats — the inmates. One of the people that he tested on actually gets out of the prison. He was wrongfully convicted of a crime to begin with, and now he’s trying to escape the aggressive nature of South Side Chicago.

MCN:You have your hand in so many things — music, TV production, you’re even a boxing promoter. Is there one thing you like most?

CJ: When you get conditioned for one thing, other things start to become a challenge. I’ve been writing music full-time since 1997 — I could stop this interview now and write a song — so I don’t need to be in a specific setting or circumstances to write music. Then the fun part of this challenge is producing. I don’t see any limitations with what you can do in film. I always try to sustain the artistic integrity of the projects that I’m involved in and I concentrate on quality control. People scream for more episodes ofPower— I was screaming for it to be better. I think the audience would appreciate that. If it’s as good as we want it to be, then they will feel like they want more of it and come back for the next episode or season.

MCN:Are you surprised at the success and longevity ofPower, with Starz recently adding a fourth and fifth season?

CJ: Actually, I’ve been saying seven seasons since we started. Everybody asked me, “How long do you think it will go?” and I’ve always said seven, so we’re almost there.

Lee Daniels, cocreator and executive producer of Fox’s breakout hit Empire, agreed to a multiyear deal Monday with Twentieth Century Fox Television.

Under the deal, Daniels will continue his role with Empire, as well as develop, write, direct and supervise projects for the studio under his Lee Daniels Entertainment banner.

“Lee Daniels has a gift for telling authentic, provocative stories that are both truthful and wildly entertaining,” said Fox Television Group chairmen and CEOs Dana Walden and Gary Newman in a joint statement. “His casting instincts are incredible, whether he is discovering tomorrow’s stars or attracting the most accomplished performers to his projects. As a director, he elevates world-class material to even greater heights, balancing heart-wrenching poignancy with surprising moments of levity that are over the top and fun. Quite simply, we love working with this inspired storyteller, and this deal is about extending and deepening our relationship.”

Daniels, along with fellow executive producers Danny Strong, Ilene Chaiken, Brian Grazer and Francie Calfo, helped guide Empire as it became the highest-rated broadcast drama in seven years.

“I’m incredibly excited to continue my relationship with Dana and Gary, and the rest of the Fox team,” said Daniels.  “I’m looking forward to developing content and finding alternative voices for both in front of and behind the camera.”

Read more at broadcastingcable.com.