USA Network said it has picked up an additional season of Chrisley Knows Best and Growing Up Chrisley.

Both season nine of Growing Up Chrisley and season three of Chrisley Knows Best will air this summer.

The NBCUniversal cable network said Chrisley Knows Best is averaging 1.5 million total viewers, up 2% this season. The season finale airs Thursday.

The second season of the spinoff, Growing Up Chrisley, following Chase and Savannah Chrisley generated 1.1 million total viewers, up 11%.

Chrisley Knows Best is produced by Maverick TV USA, an All3Media America Company with John Hesling, Simon Knight, Jim Sayer, Adam Greener, Hank Stepleton, Katie Sole and Todd Chrisley serving as executive producers. Erin Flinn is senior VP of current at Maverick TV USA.

Growing Up Chrisley is produced by Maverick TV USA, an All3Media America Company in association with Todd Chrisley Productions, with John Hesling, Simon Knight, Hank Stepleton, Lyndee Brown and Todd Chrisley serving as executive producers. Erin Flinn is senior VP of current at Maverick TV USA.

Netflix on Friday (Sept. 18) jumps into the food competition genre with the premiere of American Barbecue Showdown, which serves up high stakes competition among amateur BBQ cooks.

The series is the latest for the All3Media-owned Maverick TV, which has produced such unscripted series as USA Network’s Chrisley Knows Best, Netflix’s DeMarcus Family Rules, and DIY’s Restoring Galveston. 

I recently spoke to Maverick TV USA president John Hesling about the company’s move into the unscripted food competition series as well as the challenges of adjusting series production deadlines due to the pandemic. Hesling also addressed the network’s decision to bring back Chrisley Knows Best this summer for its eighth season nearly a year after series star Todd Chrisley was indicted on charges of tax evasion and bank fraud.   

An edited version of the interview appears below. 

How will American Barbecue Showdown differ from some of the other food competition shows currently on the air? 

American Barbecue Showdown is different from other food competition series for a variety of reasons. The competitors have very different levels of competition experience.  Some have been on the BBQ competition circuit for years, while others are local legends and amazing amateurs who bring their own home town flavors to the show. There are so many more variables and factors that go into cooking good BBQ - from the choice of wood, the level of smoke, the level of heat, the cut of meat, the choice of rub, the choice of equipment - there are many more things that can go wrong than in most cooking competition series.  It's not just about turning the dial to 350 degrees and waiting for the meat to cook properly. The temperature is always fluctuating and it’s a complicated dance to bring it all together. And even though it’s a competition with winners and losers, the competition and drama doesn’t depend upon in-fighting and tantrums among the contestants.

Why choose Netflix -- which is known mostly for scripted series and movies -- as an outlet for American Barbecue Showdown, and what does Netflix bring to the table that traditional cable and broadcast networks don't?

We are very lucky to have great partners across cable and broadcast, and working with Netflix has been no different. They were enthusiastic about making a great show that reflected different styles of BBQ and all of the different types of people who spend a lifetime attempting to perfect it.  An obvious difference is the lack of commercial breaks, which gives you more time, and changes the structure of the episodes so you're not building to and coming back from commercial breaks. It  can also allow for a deeper dive into certain moments that you might not get the time to show on ad-funded channels. The episodes are as long as they need to be, and no less or more.

How has the pandemic affected Maverick TV in terms of producing both new and existing series? 

As with everyone, we have been hugely affected and had to quickly adjust to get used to executing almost all aspects of production remotely.  We were midway through the edit of American Barbecue Showdown when the pandemic hit, but managed to adapt quickly and get back on track.  We were lucky that we had several shows in various stages of post rather than at the beginning of shoots when the lockdown happened, and we were able to effectively revise the post workflow to a work from home environment. 

How do you see the future of the reality series genre in today's evolving television marketplace?

I think we realize that there are certain things that we as people love to watch, like singing, dancing, physical performances, cooking, things that make us laugh etc. and this will always be the case. We just need to continue to find new ways into these familiar worlds, so that the audience feels they are getting something new. The audience really is global now so more than ever before we need to tap into what it is about human nature that works across boundaries, languages and cultures. 

As a production company, how do you handle controversial and unforeseen situations within your shows such as what transpired with  Chrisley Knows Best star Todd Chrisley? 

In my opinion, you deal with difficult situations in the same way with talent as you would for a friend or family member. These are people who have exactly the same issues and complications in life as everyone else, except for the fact that because they are very well known, everything is amplified. You do a lot of listening and make sure that you are there to listen and contextualise what is going on.

What other content should we expect to see from Maverick TV for the rest of the year and into 2021? 

We have a survival show in advanced stages of development with a streamer, also a medical series with a cable channel, a big, very funny family competition show that’s getting a lot of traction, and with our overall deal with Todd Chrisley Productions, a couple more hilarious Todd Chrisley and family projects on the horizon. And of course lots and lots more Chrisley Knows Best.

USA Network has added six additional episodes to the third season of its reality series Chrisley Knows Best, the network said Thursday.

The series will increase its third season episode order to 18 with the additional six shows, said network officials. The series will follow the Atlanta-based Chrisley family as they visit London.

Season two of Chrisley Knows Best averaged 2.3 million total viewers (live +7), up 37% over the show’ season one average, and 1.2 million adults 18-49, up 31% over its freshman campaign.

Season three is slated to premiere this summer on USA.

“We’re excited to follow the Chrisley family on this great adventure" said Jackie de Crinis, executive vice president, original programming for USA Network. “Todd is a creature of habit and prefers to be king of his own castle, so there is no telling what will happen when he travels outside of the USA for the first time ever.”

USA Network's reality family, the Chrisleys, will star in the holiday comedy, A Very Chrisley Christmas, on Dec. 17 at 10 p.m.

The season-two finale of Chrisley Knows Best premieres Dec. 16 at 8 p.m., and is followed by never-before-seen footage of the family.

The Chrisley clan will also host a special broadcast of It’s A Wonderful Life on Dec. 14 at 8 p.m. USA will encourage viewers to Instagram a holiday selfie with the hashtag #DonatingIsWonderful, where the network will donate $1 for every photo to Feeding America. They are committed to providing 50,000 meals to families for the holidays. 

USA Network’s Oct. 14 season two premiere of reality series Chrisley Knows Best drew 1.6 million viewers, the network said Wednesday.

New episodes of the series at 10 and 10:30 p.m. both drew 1.6 million viewers, which was up 49% over the season one premiere episode, according to USA. The episodes also posted double digit audience increases among adults 18-49 and adults 25-54 compared to their season one counterparts.

The network will run a Chrisley Knows Best marathon on Oct. 26 which will include every episode from season one as well as the first four episodes of season two, said the network.

Heather Olander has been named Syfy's senior vice president, alternative series development and production, effective immediately. She reports to Bill McGoldrick, executive VP of original content for Syfy.

Until early next year, Olander will also continue in her current role as SVP of USA alternative development and production.

Dave Howe, president Syfy and Chiller, said in a release, “Heather’s impressive pedigree and track record makes her the perfect choice to take over the reins of Syfy’s growing slate of high quality unscripted programming. Syfy is committed to developing innovative, ambitious and ground-breaking unscripted series that fulfill Syfy’s strategic goal to “imagine greater” across all of our content and I’m confident Heather’s creative leadership will help raise the bar even higher."

Bill McGoldrick, EVP, original content, Syfy, added in the release, “Heather did a great job launching USA Network into the reality space. We are very excited to bring an executive with her energy, taste and tenacity to Syfy where she will have a large canvas and many hours of alternative programming to oversee.”    

Jackie De Crinis, USA’s EVP of programming and development, will continue to oversee both scripted and unscripted programming for USA, and will fill Olander’s role after her departure, the networks said.

Olander currently oversees the development of Chrisley Knows Best, the USA reality series that returns this fall for season two. In its first season, Chrisley Knows Best averaged 945,000 persons ages 18-49 and 1.7 million total viewers and was the network’s youngest original series to date with a median age of 35, the release said.

Prior to joining USA, Olander was vice president, programming and development for CBS Television Distribution where she was involved with developing new syndicated shows as well as overseeing current first-run strips. Earlier she was at MTV, as vice president of original series development and current programming.